by Marie Brenner ‧ RELEASE DATE: May 20, 2008
A rich and masterful memoir with great value for aspiring practitioners of the genre, as well as discerning readers.
Vanity Fair writer at large Brenner (Great Dames: What I Learned from Older Women, 2000, etc.) pens an absorbing account of her fractious relationship with her brother.
The granddaughter of a Texas discount-store magnate, the author flinched from the ultra-conventional assumptions of her affluent family. (As a college student in the 1960s, she was chagrined to receive an unrequested package of panty girdles from her mother.) Inspired by the example of her aunt Anita, who ran away to Mexico at age 19, befriended Frida Kahlo and Diego Rivera and became a freelance writer, Brenner thwarted expectations and forged a successful career in journalism that included a pioneering stint as a baseball columnist in Boston. In the autumn of 2001, she traveled from New York to Washington state, determined to explore long-standing tensions with her ailing older brother Carl, a fiery-tempered trial lawyer who’d left his career to cultivate apples. In deft, nuanced prose, Brenner crafts a saga that is part family memoir, part psychological thriller and riveting overview of the U.S. apple-growing industry. The nonlinear narrative never falters as it moves adeptly back and forth in time. Readers will be captivated by the author’s unvarnished yet balanced portrait of her difficulties with a combative sibling who routinely ridiculed her leftist politics and peppered his conversations with tirades about bruised apples and pears. Brenner, who accompanied the ill Carl on a medical research trip to China, details the hurt, hostilities and betrayals she endured with deep compassion and an understanding heart. She also offers vivid examples of the tactics she used to counter her brother’s outlandish behavior and belligerence. Foreshadowed in a stylish prose riff, the book’s carefully executed denouement still packs a powerful punch.
A rich and masterful memoir with great value for aspiring practitioners of the genre, as well as discerning readers.Pub Date: May 20, 2008
ISBN: 978-0-374-17352-4
Page Count: 320
Publisher: Sarah Crichton/Farrar, Straus and Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2008
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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