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ANY QUESTIONS?

A delightful and interactive step into the world of creating engaging picture books for children.

Gay introduces young readers to her craft as an author and illustrator of children’s books, simultaneously inviting their participation in creating the story.

In a spread at the beginning, the author is addressed by a heaving crowd of young fans, asking her questions in their own authentic voices: “Do you have a pet rabbit? I do” and “Can you write a story about me?” The author then takes some of these inquisitive young characters through her process, using both the illustrations and the narrative to demonstrate how a picture book comes to life. The process isn’t always easy. She experiments with many doodles and words. A number of ideas are tried and discarded, until the right setting and the characters finally reveal themselves; in this case, it’s a shy giant who lives in the forest. A metastoryline emerges, with the author asking the children she is still addressing to help her further develop the giant’s tale. The ideas blend together sweetly, with the children eventually finding themselves inside the story. The whimsical mixed-media illustrations invite exploration, and they include what appear to be handwritten, even cursive passages. The exceptional use of negative space allows readers to truly experience a story appearing in front of their eyes.

A delightful and interactive step into the world of creating engaging picture books for children. (Picture book. 4-8)

Pub Date: Aug. 12, 2014

ISBN: 978-1-55498-382-7

Page Count: 60

Publisher: Groundwood

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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AFTER THE FALL (HOW HUMPTY DUMPTY GOT BACK UP AGAIN)

A validating and breathtaking next chapter of a Mother Goose favorite.

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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.

An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.

A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62672-682-6

Page Count: 45

Publisher: Roaring Brook Press

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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I WISH YOU MORE

Although the love comes shining through, the text often confuses in straining for patterned simplicity.

A collection of parental wishes for a child.

It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.

Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)

Pub Date: April 1, 2015

ISBN: 978-1-4521-2699-9

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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