A playful and entertaining take on children’s perennial questions surrounding ideas of personhood, family and community.
The arrival of a tiara in the mail is the tipping point in evidence for Pistachio Shoelace that she is really a princess—but no one seems to believe her.
In five short and humorous chapters readers learn that Pistachio has long believed that a “ghastly witch, green with envy” stole her, the Papuan princess, and allowed her adoption by Mr. and Mrs. Shoelace of 23 Maple St. Pistachio attempts to dress and act the part of her ideal, pampered, “real princess”—but no one, including her mother, plays along. When she tries to avoid looking after her baby sister, Pistachio’s mother only tells her that princesses “always obey their mothers, or they go without television for a week.” And her best friend, Madeline, actually laughs at Pistachio’s sudden, unexpected costume and behaviors. The skillful combination of text and illustrations addresses many serious concerns of early childhood—and even of parenthood—without straying from the book’s tone of fun and frivolity. (Among the issues so adeptly addressed are adoption, sibling relationships, classmate rejection and a missing child.) The characters are pen-and-ink creations tinted with bright watercolors; Pistachio’s russet braid and freckled face are reminiscent of Pippi Longstocking and the author’s own Stella. Whimsical names (Pistachio’s teacher is Mrs. Trumpethead) add to the fun.
A playful and entertaining take on children’s perennial questions surrounding ideas of personhood, family and community. (Early reader. 4-8)Pub Date: Feb. 2, 2015
ISBN: 978-1-927485-69-9
Page Count: 48
Publisher: Pajama Press
Review Posted Online: Nov. 10, 2014
Kirkus Reviews Issue: Dec. 1, 2014
PERSPECTIVES
PERSPECTIVES
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
An endearing ode to big siblinghood.
A buffalo is disconcerted when his daily routine is disrupted by a newborn.
Kalb begins with the playful rhymes and rhythms she employed in Buffalo Fluffalo (2024). Fluffalo, having learned a lesson in cooperation in his earlier outing, happily cavorts with Ram, Crow, and Prairie Dog before enjoying some thoughtful alone time and then settling down to sleep at dusk. A loud wailing sound wakes him at dawn and continues into daybreak. “‘What could that be?’ huffed tired old Fluffalo. / ‘I’ve said it before—I’ve had enuffalo!’” When he discovers that the sound is coming from a tiny buffalo, he becomes both irate and alarmed. Fortunately, his friends show up and assure him that the little one just needs some time to learn and grow. Fluffalo calms down and admits that the baby is a bit cute—something readers will have already realized, thanks to Kraan’s sweetly imaginative art. In the ensuing pages, Fluffalo mentors the loving Puffalo, including the baby in his daily activities and fielding (some of) Puff’s many questions. Readers with younger siblings will appreciate the subtle acknowledgment that Fluffalo’s new role can be taxing, but overall, the tale affirms the joy of mentoring, while the colorful, stylized art perfectly complements the upbeat verse. It’s easy to imagine an older child reading this story to a younger one at bedtime.
An endearing ode to big siblinghood. (Picture book. 4-8)Pub Date: Sept. 30, 2025
ISBN: 9780593810309
Page Count: 40
Publisher: Random House Studio
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
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