Long live Princess Pistachio.
Princess Pistachio Shoelace’s summer vacation is not starting out on a high note.
She has big plans to meet with her friends to search for treasure. But her mother insists that she must take her little sister, Penny, to the park. Penny is delighted, but Pistachio is definitely feeling put-upon. Penny, dressed in a bunny hat and a cape and perched in a wagon filled with toys and the dog, exhorts Pistachio to “giddy up.” The day goes from bad to worse, as Penny manages to cause a great deal of trouble, especially when Pistachio has momentary lapses of attention. Penny sneaks fruit from the grocer, Mr. Pomodoro, and Pistachio is blamed. Penny climbs a wall and falls off, into the garden of Mrs. Oldtooth, the neighborhood witch. When Penny swims in the park fountain and pulls out some coins, Pistachio is blamed again. It has been a decidedly unroyal day, and her frustration is compounded by their mother’s clueless reaction. In four breathless, fast-paced chapters, Gay once again weaves a frantically funny tale with deliciously named characters, while subtly recognizing some underlying concerns regarding sibling responsibility and difficulties with adult-child communication. Descriptive and age-appropriate language flows naturally and is in perfect tandem with the brightly hued illustrations that depict redheaded, freckle-faced Pistachio’s every changing emotion. Young readers will cheer for her.
Long live Princess Pistachio. (Early reader. 4-8)Pub Date: Aug. 3, 2015
ISBN: 978-1-927485-73-6
Page Count: 48
Publisher: Pajama Press
Review Posted Online: June 5, 2015
Kirkus Reviews Issue: June 15, 2015
PERSPECTIVES
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
An endearing ode to big siblinghood.
A buffalo is disconcerted when his daily routine is disrupted by a newborn.
Kalb begins with the playful rhymes and rhythms she employed in Buffalo Fluffalo (2024). Fluffalo, having learned a lesson in cooperation in his earlier outing, happily cavorts with Ram, Crow, and Prairie Dog before enjoying some thoughtful alone time and then settling down to sleep at dusk. A loud wailing sound wakes him at dawn and continues into daybreak. “‘What could that be?’ huffed tired old Fluffalo. / ‘I’ve said it before—I’ve had enuffalo!’” When he discovers that the sound is coming from a tiny buffalo, he becomes both irate and alarmed. Fortunately, his friends show up and assure him that the little one just needs some time to learn and grow. Fluffalo calms down and admits that the baby is a bit cute—something readers will have already realized, thanks to Kraan’s sweetly imaginative art. In the ensuing pages, Fluffalo mentors the loving Puffalo, including the baby in his daily activities and fielding (some of) Puff’s many questions. Readers with younger siblings will appreciate the subtle acknowledgment that Fluffalo’s new role can be taxing, but overall, the tale affirms the joy of mentoring, while the colorful, stylized art perfectly complements the upbeat verse. It’s easy to imagine an older child reading this story to a younger one at bedtime.
An endearing ode to big siblinghood. (Picture book. 4-8)Pub Date: Sept. 30, 2025
ISBN: 9780593810309
Page Count: 40
Publisher: Random House Studio
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
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