Overall, an upbeat story inspired by a classic about staying positive and resilient in the face of adversity.
A plucky, disco-loving teen and her moms are met with small-town prejudice upon moving to their new home.
With her dyed orange hair and vibrant, retro wardrobe, high schooler Anne Shirley is used to standing out from the crowd just by being herself. But when Anne, who likes girls and is of Japanese and Welsh descent, moves with her White moms to Greenville, they quickly catch the attention of residents who view the new family as a threat to the town’s conservative values. At school, Anne is the target of openly racist and homophobic comments, while her mom Lucy, the new vice principal at Greenville High, faces intense scrutiny and criticism from parents. Green-haired, artistic Berry is Anne’s only new friend, and though she offers support and encouragement, the constant provocation is almost enough to dull Anne’s shine. When auditions for the school play are announced, Anne sees an opportunity to participate in a Greenville tradition without compromising who she is, but outcry against the chosen play, Peter Pan, in which Anne is cast as the lead, threatens to end the production before it even begins. Anne recounts these first few weeks in Greenville in bright, conversational prose that bursts with personality and frequently veers into enthusiastic tangents. Unfortunately, secondary characters aren’t developed quite as well, particularly Anne’s bullies, who have little substance beneath their casual cruelty.
Overall, an upbeat story inspired by a classic about staying positive and resilient in the face of adversity. (content warning) (Fiction. 13-18)Pub Date: Oct. 4, 2022
ISBN: 978-1-368-07840-5
Page Count: 304
Publisher: Melissa de la Cruz Studio
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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