Vargas Llosa’s many admirers will share that pleasure with this fine collection.
Reviews, travel journalism, and assorted feuilletons from the noted Peruvian novelist (The Feast of the Goat, 2001, etc.).
“Novelist” just begins to cover the ground, for like many other Latin American writers of his generation—he was born in Lima in 1937 and began to write professionally in Spain in the late ’50s—Vargas Llosa cut his teeth writing for daily papers and magazines. He continues to contribute to such periodicals; most of the pieces gathered in this exemplary volume, covering the ’90s, first saw print in his occasional column in the Madrid daily El País. Less afraid of big ideas and big words than most American papers, the post-Franco Spanish press proves an ideal testing ground for Vargas Llosa’s contrarian musings on such matters as Third World development, free markets, and modern literature. A longtime anticommunist liberal, for instance, Vargas Llosa disputes the notion that the developing world is poor because of some inherent defect in its peoples’ wealth-making capabilities: the people are poor, to be sure, he writes, but only because the rich loot them “to enjoy an Arabian Nights–style opulence,” and to the tune of billions of dollars. Throughout, he comes down more on the side of Milton Friedman than Frederick Engels, but, much as he dislikes Fidel Castro, Vargas Llosa is no reactionary. One of the best pieces here is an unexpected homage to the Jamaican reggae star Bob Marley, under whose influence Vargas Llosa’s son became a Rastafarian, and whom Vargas Llosa belatedly praises for his political universalism and tasteful tunes. Elsewhere, Vargas Llosa profiles the many great writers of the Barcelona of his youth—“In those days,” he writes, “Barcelona was down-at-the-heels, cosmopolitan, and international; now it is extremely rich, provincial, and nationalist”—and takes well-aimed potshots at superstar authors, current leaders, and world events, an array of targets that he takes evident pleasure in addressing.
Vargas Llosa’s many admirers will share that pleasure with this fine collection.Pub Date: June 1, 2003
ISBN: 0-374-18326-0
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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