Nine other writers might well have selected nine different subjects, which serves as a tribute to the indomitable Irish...
Essays on “nine Irish men and women [who] not only became American but also helped make America great.”
What makes these pieces work so well is the connection each writer feels with the chosen subject, with those not primarily known as writers revealing as much about themselves as their subject through their choice. For example, Rosie O’Donnell writes about helping the recovery in New Orleans in the wake of Hurricane Katrina and coming upon a statue of a woman with a child under her arm. It identified the woman only as Margaret, but O’Donnell identified strongly with this woman who had selflessly devoted her life to orphans. O’Donnell has considered herself an orphan since the death of her mother and has adopted five children. “I see myself in her,” she writes. Then there’s Irish émigré Pierce Brosnan, who identifies strongly with the experience of silent film director Rex Ingram, since both were primarily interested in visual art even after turning to acting—and both found that “Hollywood and the movie business was an empire built almost entirely by immigrants, men and women who had recently arrived in our country and who were in fact looking to reinvent themselves.” Film provocateur Michael Moore picks muckraking pioneer Samuel S. McClure, and he laments how the age of Trump could benefit from his example. Mark Shriver, who runs Save Our Children, connects some dots in the story of Boys Town’s Father Edward J. Flanagan. The piece by novelist Kathleen Hill on New Yorker writer Maeve Brennan is mostly literary criticism, in appreciation of someone who didn’t receive her due until her posthumous collection of stories—the renowned writer and editor William Maxwell had judged her “the best living Irish writer of fiction, but in her own country she was almost entirely unknown.”
Nine other writers might well have selected nine different subjects, which serves as a tribute to the indomitable Irish character and the transformational possibilities of America. This is a perfect St. Patrick’s Day anthology for the Irish book lover on your gift list.Pub Date: Feb. 14, 2018
ISBN: 978-1-61620-517-1
Page Count: 272
Publisher: Algonquin
Review Posted Online: Nov. 27, 2017
Kirkus Reviews Issue: Dec. 15, 2017
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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