WHITES

Fair warning: Never underestimate the self-importance of delusional white people. Or, just white people.

After tackling authoritarian-doomed near-futures in two pyrotechnical novels, Doten turns his lens on the real perpetrators of postmodern collapse. These 14 dynamic stories take a jaundiced look at the most comfortable, most privileged demographic in all of history—from their perspective, to acid effect. The book opens with a grotesque monologue by Elon Musk in “Even Elon on Human Meat,” while later in the book, his so-called boss tosses around the idea of using nuclear weapons against Covid-19 in “Open for Business.” Doten takes a different approach to the idea of both sides in “Pray for Q,” in which a queer artist meets his conspiracy-minded mother for a tense meal, only to flip over to her deranged mindset for the story’s fatal back half. Meanwhile in “Dying but It’s Something Else,” a son on the verge of a nervous collapse and his casually racist father talk about everything, anything but the truth. There are young voices, too, if strange and misguided ones, from the basement-dwelling white nationalist in “Banana Bunch Challenge,” to the unstable podcaster in “I’m Wide Awake It’s Jumpman” who leans into a modern patois of gamespeak, on-mic persona, and cultural schizophrenia. Every whitey is welcome here, from the Greek chorus of “J6ers” to self-delusional expats in “Fifty Thousand Gringos” to the self-described “Worst Karen Ever” in the title track. These venomous, discomforting stories may soon feel “of their time,” but what a time. Imagine the white malaise of Sam Lipsyte and the heightened satire of Gary Shteyngart shot through with a tab of Mark Leyner’s hyperstylized metafiction. Maybe that’s the right frame of mind to ask what white people are really made of, these days.

A consciously caustic critique of white fragility that means to leave a mark.