Drugs, politics, a bit of sex, and a lot of archaeology provide the international thrills in an international thriller by the author of The Missing Sixth (1992), etc. Crossing the English Channel on a clapped-out ferry, mysterious pilot and international femme fatale Jaymin Bartel is witness to highly suspicious behavior on the part of a Middle Eastern passenger. The young man accosts an attractive preteen and forces her to accept a metal cylinder, which, following orders, she tucks into her backpack. Following that odd bit of business, the potential terrorist proceeds to sink the ferry by opening the doors several hundred yards short of Dover. After dramatically rescuing numerous passengers, Jaymin pairs up with renowned American archaeologist Stephen Kaine, the understandably distressed father of Angela, the girl with the metal tube in her backpack. Together, Stephen and Jaymin and a gruff but kindly Scottish tugboat skipper effect the rescue of Angela from the ferry's submerged loo. In the beginning of a seemingly endless string of eerie coincidences, it turns out that Jaymin, to whom Stephen is powerfully attracted, is working for people who want very much for Stephen not to have that metal tube that was rescued along with Angela. The tube contains an ancient map of the long-lost Turko-Persian city that Stephen found and from which he was removed under shocking circumstances. If the map is to be believed, Stephen could clear up some 3000-year-old hanky-panky on the part of the Persian monarchy. But any clearing up of mysteries will be dependent on Stephen and Angela's survival in the face of relentless, murderous pursuit by Jaymin's employers- -a team of wickedly bent American spies and diplomats who have been working a deal to swap antique gold for present-day opium. Jaymin's flying skills will eventually become crucial. A rousing beginning degenerates into a long and not very exciting series of well-timed and eventually predictable coincidences amidst some attractive scenery.
Pub Date: Oct. 1, 1993
ISBN: 0-670-84870-0
Page Count: 400
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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