by Mark Haddon and illustrated by Christian Birmingham ‧ RELEASE DATE: March 1, 2009
This memory-piece will resonate more with adults of a certain age than with children, but it is a pleasant enough interlude regardless. A grown narrator describes a little boy who years ago “had the solar system on his wall.” Heightened, emotive language describes his particular fascination with the moon, “a small and bald and ordinary / globe of rock / that looped-the-loop / its way through outer space.” This builds to the night of the moon landing, when the little boy sneaks downstairs to watch and “[walk] with them” on television. Birmingham supplies equally emotional illustrations, the slightly-out-of-focus look reinforcing the sense of misty memory. Three wordless double-page spreads take narrator and readers to the lunar surface, the third one placing a boy-sized astronaut right there with Armstrong and Aldrin. In a season full of such exemplary offerings as Brian Floca’s Moonshot (2009), this import, first published in Britain in 1996, ranks as an additional purchase, though it will strike a chord with other moon-watchers whose childhoods included that momentous small step. (Picture book. 5-8)
Pub Date: March 1, 2009
ISBN: 978-0-7636-4440-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2009
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by Mark Haddon
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by Mark Haddon & illustrated by Peter Sutton
by Marie Bradby & illustrated by Chris K. Soentpiet ‧ RELEASE DATE: Sept. 1, 1995
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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by Marie Bradby
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by Marie Bradby & illustrated by Ted Rand
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by Marie Bradby & illustrated by Peter Catalanotto
by Teri Sloat & Betty Huffman & illustrated by Teri Sloat ‧ RELEASE DATE: June 1, 2004
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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by Teri Sloat ; illustrated by Rosalinde Bonnet
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by Teri Sloat and illustrated by Stefano Vitale
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