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STARRING LORENZO, AND EINSTEIN TOO

Lorenzo Fortunato is the odd-egghead-out in a family of performers. While the others juggle, play banjos and crack wise, Lorenzo bumbles about, his head full of equations and space travel. His twin sisters taunt his ineptness—not mercilessly, but enough to give the story a realistic bite, which is softened by Nichols’s brisk, retro-flavored watercolors. More to Lorenzo’s liking, he fires up his spaceship and flies with Albert Einstein (who’s as likely as Howdy Doody to be recognizable to the publisher’s target audience of three- to five-year-olds) to distant galaxies, where the stars sing and the hippopotami are tiny and blue. Less to his liking, he misses his family. Albert understands (“Everybody needs a family”), and the two crash land their craft in the midst of a family performance—a neat piece of showmanship—and loving embraces ensue. Karlins’s finale may be clangingly unsubtle—there never seemed to be much of an issue that Lorenzo’s parents adored their little incompetent—but it also has a hug of inclusiveness that Walt Whitman would have admired. Every family needs an eccentric. (Picture book. 5-8)

Pub Date: April 1, 2009

ISBN: 978-0-8037-3220-9

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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JOE LOUIS, MY CHAMPION

One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)

Pub Date: May 1, 2004

ISBN: 1-58430-161-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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