A stunning tally of the sacrifices that sex, drugs, and rock ’n’ roll demand of its mortal instruments.
The frontman of the Screaming Trees gives a bloody, brawling, dope-fueled tour of his personal battlefields.
By any reckoning, Lanegan should be long dead alongside beloved friends like Kurt Cobain of Nirvana, Kristen Pfaff of Hole, and Layne Stanley of Alice in Chains. By either miracle or stamina, the author is still alive to offer a blisteringly raw self-portrait of life not just as an excessively self-indulgent rock star, but also a victim of his own hubris. It’s hard to remember in this age of social media, semiclean living, and legalized marijuana, but Seattle circa 1990 was practically a combat zone, thrust into the zeitgeist by the success of grunge rock, especially Nirvana, Soundgarden, and other bands on the Sub Pop label. Lanegan recounts the formation of the Screaming Trees with drummer Mark Pickerel and brothers Gary Lee and Van Conner in the late 1980s, and while their stardom was sudden, the author clearly hasn’t forgotten long, brutal tours in a fetid van, featuring stories that recall Henry Rollins’ Black Flag diary, Get in the Van (1994). There’s plenty of friction behind the music, but the narrative’s primal thread is addiction, from Lanegan’s early alcoholism to a heroin and crack addiction that would later find him dealing to junkies from his Seattle crash pad. His temper would also find him contemplating murdering Courtney Love and beating Liam Gallagher to death backstage. Elsewhere, the missed opportunities are tragic—blowing a gig on the Tonight Show, turning down an invitation to play Nirvana’s fabled MTV Unplugged episode, and ignoring a chance to score a movie. This isn’t just a warts-and-all admission; it’s a blackout- and overdose-rich confessional marked by guilt and shame. It’s also not a redemption song, but like any other train wreck, it’s impossible to look away. One of Kirkus and Rolling Stone’s Best Music Books of 2020.
A stunning tally of the sacrifices that sex, drugs, and rock ’n’ roll demand of its mortal instruments.Pub Date: April 28, 2020
ISBN: 978-0-306-92280-0
Page Count: 352
Publisher: Da Capo
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
