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SING BACKWARDS AND WEEP

A MEMOIR

A stunning tally of the sacrifices that sex, drugs, and rock ’n’ roll demand of its mortal instruments.

Awards & Accolades

Our Verdict

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  • Rolling Stone & Kirkus' Best Music Books of 2020

The frontman of the Screaming Trees gives a bloody, brawling, dope-fueled tour of his personal battlefields.

By any reckoning, Lanegan should be long dead alongside beloved friends like Kurt Cobain of Nirvana, Kristen Pfaff of Hole, and Layne Stanley of Alice in Chains. By either miracle or stamina, the author is still alive to offer a blisteringly raw self-portrait of life not just as an excessively self-indulgent rock star, but also a victim of his own hubris. It’s hard to remember in this age of social media, semiclean living, and legalized marijuana, but Seattle circa 1990 was practically a combat zone, thrust into the zeitgeist by the success of grunge rock, especially Nirvana, Soundgarden, and other bands on the Sub Pop label. Lanegan recounts the formation of the Screaming Trees with drummer Mark Pickerel and brothers Gary Lee and Van Conner in the late 1980s, and while their stardom was sudden, the author clearly hasn’t forgotten long, brutal tours in a fetid van, featuring stories that recall Henry Rollins’ Black Flag diary, Get in the Van (1994). There’s plenty of friction behind the music, but the narrative’s primal thread is addiction, from Lanegan’s early alcoholism to a heroin and crack addiction that would later find him dealing to junkies from his Seattle crash pad. His temper would also find him contemplating murdering Courtney Love and beating Liam Gallagher to death backstage. Elsewhere, the missed opportunities are tragic—blowing a gig on the Tonight Show, turning down an invitation to play Nirvana’s fabled MTV Unplugged episode, and ignoring a chance to score a movie. This isn’t just a warts-and-all admission; it’s a blackout- and overdose-rich confessional marked by guilt and shame. It’s also not a redemption song, but like any other train wreck, it’s impossible to look away. One of Kirkus and Rolling Stone’s Best Music Books of 2020.

A stunning tally of the sacrifices that sex, drugs, and rock ’n’ roll demand of its mortal instruments.

Pub Date: April 28, 2020

ISBN: 978-0-306-92280-0

Page Count: 352

Publisher: Da Capo

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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