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AUTOBIOGRAPHICAL WRITINGS

A compact, generous entry into the comic sensibility of a thoughtful, adventurous life.

Mark Twain’s life and times, in his own words, through memoir and essay.

Piggybacking the 2010 publication of the first volume of the complete Autobiography of Mark Twain, this Penguin collection—edited by Twain scholar Rasmussen (Bloom's How to Write about Mark Twain, 2007, etc.)—offers an interesting alternate route to the great man’s life: the condensed memoirs published in his lifetime, along with numerous personal essays. Together they reveal a raconteur who saw life as an endless comedy and a frequent tragedy. Twain’s autobiography, dictated a few years before his death, shows his effortless genius for talk, whether he’s recounting a near-fatal dueling episode, how he aided a traveling mesmerist in conning an audience or how even America’s Greatest Humorist could bomb before an audience at a literary dinner. Death is also much on his mind. The book is dominated by the memory of his late daughter Susy, who died at 24 from spinal meningitis, and left behind a charming memoir of “Papa,” written when she was 14. Susy—“a frank biographer, and an honest one; she uses no sandpaper on me”—becomes the gateway through which Twain recalls the past and the prism through which he views mortality. In other autobiographical pieces, he recalls how he mastered the Mississippi after a slow and humiliating steamboat apprenticeship: “The face of the water, in time, became a wonderful book—a book that was a dead language to the uneducated passenger, but which told its mind to me without reserve, delivering its most cherished secrets as clearly as if it uttered them with a voice.” He also addresses his disappointed ambitions, the art of turkey hunting, his (largely discredited) doubts on Shakespeare’s authorship, how his views on slavery changed and how life is a matter of fortunate circumstance.

A compact, generous entry into the comic sensibility of a thoughtful, adventurous life.

Pub Date: June 1, 2012

ISBN: 978-0-14-310667-8

Page Count: 496

Publisher: Penguin

Review Posted Online: March 18, 2012

Kirkus Reviews Issue: April 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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