An astonishingly dull but comprehensively annotated collection of letters from an unexceptional period in Twain's life. Like the phone book, this is one of those hefty tomes you're terribly glad exists, even though there's little reason to go through it cover to cover. Its very thoroughness, its rounding up of every epistolary scrap, from bills, to perfunctory thank-yous, to itineraries of arrivals and departures, ensures vast stretches of tedium. But even when not quarreling over printing details with his publisher or setting up dates for speaking tours, Twain the correspondent bears little relationship to Twain the genius of 19th-century American literature. Even when he is corresponding with intimate friends or his beloved wife, Olivia (Livy), there is an unrevealing quality to almost every letter, as if he were deliberately resting his talent. Salamo and Smith (members of the Mark Twain Project at the Bancroft Library, Univ. of California) are to be commended for the incredible depth, range, and detail of their work. Their scholarship is impeccable, their erudition extensive—one has the feeling that they could probably account for almost every hour of Twain's life—and learned footnotes abound, often dwarfing the brief letters. During this time span, Twain embarked on building a house, suffered the death of a child, and made regular visits to England, sometimes to lecture, sometimes to bask in the warm admiration of the British. He also published his only cowritten book (The Gilded Age, with Charles Dudley Warner). But Huckleberry Finn and the full flowering of Twain's talent are still several years away. A major scholarly resource, but slow-going and unrewarding, proof of how compartmentalized genius can sometimes be. (80 b&w illustrations, not seen)
Pub Date: June 1, 1997
ISBN: 0-520-20822-6
Page Count: 928
Publisher: Univ. of California
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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