The second part of this trilogy is darker and, in many ways, more moving than its predecessor.
Stories as ambitiously made up as this aren't expected to so intensely engage the shifting natures of truth and reality. This one does.
A chorus of enthusiastic comparisons to George R.R. Martin’s A Song of Fire and Ice greeted James' Black Leopard, Red Wolf (2019) upon its publication. This second volume in a projected trilogy set in a boldly imagined, opulently apportioned ancient Africa shows that the Man Booker Prize–winning novelist is building something deeper and more profoundly innovative within the swords-and-sorcery genre. In this middle installment, James doesn’t advance his narrative from the first volume so much as approach its main story, Rashomon-like, from a different perspective. This, then, is the story of Sogolon, the 177-year-old Moon Witch, whose path crosses in Black Leopard with those of the one-eyed Tracker and his motley entourage in a far-flung and fraught search for a mysterious young boy who's been missing for three years. This novel, told in the main character’s patois, which is as witty, richly textured, and musically captivating as the story it tells, begins decades and decades before, back when Sogolon is an orphaned child and indentured servant who first becomes aware of her dark powers when she repels her master’s violent sexual advances with some involuntary—and deadly—violence of her own. From then on, a force she identifies throughout the narrative as “wind (not wind)” is summoned to carry her (and often rescue her) through years of travail and adventure across several kingdoms and wildernesses, encountering such wonders as a city that levitates at sunset and such perils as the witch-hunting Sangomin gangs. Through calm and stormy times, she’s always aware of being stalked by the Aesi, known from the previous installment as chancellor to Kwash Dara, alias the Spider King, but here Aesi exists mostly as a demonic spirit that can dispatch invisible assassins and manipulate people’s minds for its own ends. There’s barely enough space to talk about James’ many inventions, from children capable of changing into lions to a river dragon known as a “ninki nanka.” So much is densely packed into this narrative that it sometimes threatens to leave the reader gasping for breath, especially at the start. But once Sogolon’s painful, tumultuous initiation ends and the Moon Witch’s legend takes hold, James’ tale picks up speed with beautifully orchestrated (and ferociously violent) set pieces and language both vivid and poetic.
The second part of this trilogy is darker and, in many ways, more moving than its predecessor.Pub Date: Feb. 15, 2022
ISBN: 978-0-7352-2020-1
Page Count: 656
Publisher: Riverhead
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
BOOK REVIEW
BOOK REVIEW
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PERSPECTIVES
PERSPECTIVES
Don’t feel that your current news feed is disturbing enough? Penny has just what you need.
A sequel to The Grey Wolf (2024) that begins with the earlier novel’s last line: “We have a problem.” And what a problem it is.
Now that Chief Inspector Armand Gamache and his allies in and out of the Sûreté du Québec have saved Canada’s water supply from poisoning on a grand scale, you might think they were entitled to some rest and relaxation in Three Pines. No such luck. Don Joseph Moretti, the Sixth Family head who ordered the hit-and-run on biologist Charles Langlois that nearly killed Gamache as well, is plotting still more criminal enterprises, and Gamache can’t be sure that Chief Inspector Evelyn Tardiff, who’s been cozying up to Moretti in order to get the goods on him, hasn’t gone over to the dark side herself. In fact, Gamache’s uncertainty about Evelyn sets the pattern for much of what follows, for another review of one of Langlois’ notebooks reveals a plot so monstrous that it’s impossible to be sure who’s not in on it. Is it really true, as paranoid online rumors have it, that “Canada is about to attack the U.S.”? Or is it really the other way around, as the discovery of War Plan Red would have it? As the threats loom larger and larger, they raise questions as to whether the Black Wolf, the evil power behind them, is Moretti, disgraced former Deputy Prime Minister Marcus Lauzon, whom Gamache has arranged to have released from prison, or someone even more highly placed. A brief introductory note dating Penny’s delivery of the uncannily prophetic manuscript to September 2024 will do little to assuage the anxieties of concerned readers.
Don’t feel that your current news feed is disturbing enough? Penny has just what you need.Pub Date: Oct. 28, 2025
ISBN: 9781250328175
Page Count: 384
Publisher: Minotaur
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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