Lovely artwork combined with goodwill toward men.
Thunderstorms are for sharing.
“Rain poured. / Raccoon shivered. / Thunder roared. / Raccoon quivered.” Raccoon is not altogether comfortable alone in his den as the storm outside rages. Nevertheless, he braves the wet night in order to find some company with whom he can share his collywobbles. In a narrative composed of onomatopoeia and occasional verse, Raccoon travels through the woods, dropping in on Possum, Quail, and Woodchuck in turn, only to be refused entry because there isn’t enough room. “Swish, swish, PLISH.” Raccoon pushes on through the darkness and rain—Poh’s fine artwork resembles particularly good theatrical backdrops against which her stylized figures stand out—until he reaches Rabbit’s hutch, overrun with little rabbits. Raccoon thinks it’s another bust until Rabbit says, “What good luck….Come right in. There’s always room for a good friend.” Being rabbits, they have to be space-ready. Soon enough Possum, Quail, and Woodchuck come knocking, seeking emotional shelter from the storm, and they, too, are welcomed in for some carrot stew and to romp with the 10 little rabbits. Come on in, the story says without saying it, which is always the best way, there’s always room for one more. Readers may notice that only Rabbit is identified as female, which reinforces more than one stereotype.
Lovely artwork combined with goodwill toward men. (Picture book. 3-7)Pub Date: Feb. 15, 2018
ISBN: 978-1-58536-394-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Nov. 21, 2017
Kirkus Reviews Issue: Dec. 15, 2017
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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