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THE YEAR I WAS PETER THE GREAT

1956--KHRUSHCHEV, STALIN’S GHOST, AND A YOUNG AMERICAN IN RUSSIA

An intriguing eyewitness historical account rendered in a surprisingly pedestrian manner.

A veteran TV news correspondent’s memoir of his first assignment in Russia, which corresponded with Nikita Khrushchev’s unprecedented “thaw.”

A graduate student studying Russian history and language in 1956, Kalb (Imperial Gamble: Putin, Ukraine, and the New Cold War, 2015, etc.) was plucked by the State Department to do translation work for an international organization in Moscow. In his first memoir, the former anchor of NBC’s Meet the Press and senior adviser at the Pulitzer Center on Crisis Reporting, the author, now in his 80s, switches from writing history to writing about himself to depict this extraordinarily enlightening year—not an easy task. He relies on a diary he kept during this year working as a translator/interpreter, traveling around Russia, and even meeting Khrushchev himself, who made a historic address to the 20th Congress of the Communist Party of the Soviet Union tearing down the cult worship of the once-untouchable Stalin, who had died in 1953. Raised in the Bronx and in Washington Heights, Kalb attended City College in the footsteps of his older brother, Bernard, who became a New York Times journalist and whose advice proved prophetic: if the author wanted to become a journalist, he should “cultivate an area of expertise…that would catch the eye of an editor or producer.” Learning Russian proved to be the ticket. In Moscow, Kalb was assigned the work of translating and analyzing the Soviet press, which would give clues to what was really going on in the Kremlin. Khrushchev’s speech did change history, and during a time of enormous political uncertainty, Kalb describes scenes of spontaneous youthful demonstrations at the Lenin Library, which would spread that summer to the East Bloc. The author has an amazing story of an important year in Russian history, but the prose doesn’t always match the gravity of the events he recounts.

An intriguing eyewitness historical account rendered in a surprisingly pedestrian manner.

Pub Date: Oct. 10, 2017

ISBN: 978-0-8157-3161-0

Page Count: 300

Publisher: Brookings Institution Press

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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