An overstuffed tale that will nevertheless wriggle its way into readers’ affections, starring an out-crowd sixth grader and a tiny, worm-like creature who can make anything vanish by eating the word for it. Hatchling Fip’s taste for the printed word may be judged unacceptably “runtly and weakish” by his earthworm clan, but when he munches on an empty thumbtack box, loose papers suddenly avalanche from bulletin boards nationwide. Fip doesn’t stop there; unhappily on her way to being dubbed a SLUG (Sorry Loser Under Ground) by the classroom coterie MPOOE (Most Powerful Ones On Earth), Lerner Chanse spots him sampling an article about a newly discovered star. Learning later that the star has vanished from the skies, she confirms her suspicion by nudging him onto the school lunch menu (no more spinach soufflé—anywhere, ever again). Has Lerner found the way to acceptance—or to universal disaster? Both, as it turns out, though ensuing misadventures ranging from the near-catastrophic—as when Fip nearly eats the word “oxygen” out of her science homework—to the hilarious teach her that her little buddy’s ability is definitely nothing to trifle with. In the end, the universe is saved when a clever bookworm entices Fip to gobble down the words “Fip’s magic.” To drive home the point that actions can have unintended, far-reaching repercussions, Amato trucks in a sackful of side plots, including one wildly tangential tale involving a ruthless businessman who finally gets proper comeuppance for using thumbtacks, manufactured by captive children, to train attack dogs. Several stories bundled together, this amiable cautionary tale, often reminiscent of Clifton Fadiman’s Wally the Wordworm or Mary Haynes’s more melodramatic Wordchanger , makes a promising, if undisciplined, debut. (Fiction. 10-12)
Pub Date: June 15, 2000
ISBN: 0-8234-1468-X
Page Count: 146
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Wholesome shading to bland, but well-stocked with exotic creatures and locales, plus an agreeable cast headed by a child...
A San Diego preteen learns that she’s an elf, with a place in magic school if she moves to the elves’ hidden realm.
Having felt like an outsider since a knock on the head at age 5 left her able to read minds, Sophie is thrilled when hunky teen stranger Fitz convinces her that she’s not human at all and transports her to the land of Lumenaria, where the ageless elves live. Taken in by a loving couple who run a sanctuary for extinct and mythical animals, Sophie quickly gathers friends and rivals at Foxfire, a distinctly Hogwarts-style school. She also uncovers both clues to her mysterious origins and hints that a rash of strangely hard-to-quench wildfires back on Earth are signs of some dark scheme at work. Though Messenger introduces several characters with inner conflicts and ambiguous agendas, Sophie herself is more simply drawn as a smart, radiant newcomer who unwillingly becomes the center of attention while developing what turn out to be uncommonly powerful magical abilities—reminiscent of the younger Harry Potter, though lacking that streak of mischievousness that rescues Harry from seeming a little too perfect. The author puts her through a kidnapping and several close brushes with death before leaving her poised, amid hints of a higher destiny and still-anonymous enemies, for sequels.
Wholesome shading to bland, but well-stocked with exotic creatures and locales, plus an agreeable cast headed by a child who, while overly fond of screaming, rises to every challenge. (Fantasy. 10-12)Pub Date: Oct. 2, 2012
ISBN: 978-1-4424-4593-2
Page Count: 496
Publisher: Aladdin
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
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