bookshelf

RIGHT OUTSIDE MY WINDOW

Name: RIGHT OUTSIDE MY WINDOW
Author: Mary Ann Hoberman
ISBN: 1-59034-194-5

by Mary Ann Hoberman & illustrated by Nicholas Wilton ‧ RELEASE DATE: May 1, 2001

bookshelf

Layering paint, gesso, and natural objects thinly atop scraped concrete surfaces, Wilton (Where Does the Butterfly Go When It Rains?, 1997, etc.) places stylized flora and fauna into subdued settings suggestive of passing seasons. Hoberman’s (The Marvelous Mouse Man, p. 493, etc.) accompanying verse is also more evocative than specifically descriptive: “In spring the wind whips up a kite. / Right outside my window. / Silver raindrops catch the light / Right outside my window,” etc. Painting in a similar style, but on plywood, Stefano Vitale achieved a warmer look in Charlotte Zolotow’s When the Wind Stops (1995); pair these two together for an illuminating study in contrasting visual textures, but stick with the latter for an emotionally richer commemoration of time’s passage. (Picture book. 6-8)

Pub Date: May 1, 2001

ISBN: 1-59034-194-5

Page Count: 32

Publisher: Mondo Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

Categories:

CHILDREN'S ACTION & ADVENTURE FICTION

- BOOK REVIEW
HOW ELEGANT THE ELEPHANT
by Mary Ann Hoberman ; illustrated by Marla Frazee

- BOOK REVIEW
THE SUN SHINES EVERYWHERE
by Mary Ann Hoberman & illustrated by Luciano Lozano

- BOOK REVIEW
I LIKE OLD CLOTHES
by Mary Ann Hoberman & illustrated by Patrice Barton

bookshelf

HOW I BECAME A PIRATE

by Melinda Long & illustrated by David Shannon ‧ RELEASE DATE: Sept. 1, 2003

bookshelf

Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)

Pub Date: Sept. 1, 2003

ISBN: 0-15-201848-4

Page Count: 44

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

Categories:

CHILDREN'S ACTION & ADVENTURE FICTION

- BOOK REVIEW
THE CASE OF THE SLIDING SPACESHIP
by Melinda Long ; illustrated by Monica Wyrick

- BOOK REVIEW
HOW I BECAME A PIRATE
by Melinda Long & illustrated by David Shannon & developed by Oceanhouse Media

- BOOK REVIEW
PIRATES DON’T CHANGE DIAPERS
by Melinda Long & illustrated by David Shannon

bookshelf

HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 3, 2021

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

bookshelf

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)