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THE SEVEN SILLY EATERS

Name: THE SEVEN SILLY EATERS
Author: Mary Ann Hoberman
ISBN: 0-15-200096-8

by Mary Ann Hoberman & illustrated by Marla Frazee ‧ RELEASE DATE: March 1, 1997

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Hoberman (The Cozy Book, 1995, etc.) renders the story of finicky eaters with an understatement that both children and those who cook for them will appreciate. Persnickety eaters—they are Mrs. Peters's cross to bear, and she has seven of them. One wants warm (not hot, not cold) milk, another lemonade (not from a can, but homemade), or applesauce, or strained oatmeal, hot bread, eggs poached and fried (for the twins). Although she loves her children, her efforts to keep them fed drive her batty—``Creamy oatmeal, pots of it! Homemade bread and lots of it! Peeling apples by the peck, Mrs. Peters was a wreck.'' On her birthday, the kids do the cooking, and from their respective preferences emerges a delicious cake. Hoberman gives this tale a droll rhyme, singsongy and fresh as paint, while Frazee's pen-and-ink illustrations, with a touch of Hilary Knight's chaos to them, mold the story with warmth and mayhem: The Peterses live in a Walden-like setting that grows with the family and mellows over the years. Point taken—the antidote for picky eaters (and for the happy trials of large families) is a good sense of humor. (Picture book. 4-8)

Pub Date: March 1, 1997

ISBN: 0-15-200096-8

Page Count: 40

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

Categories:

CHILDREN'S FAMILY

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by Mary Ann Hoberman ; illustrated by Marla Frazee

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by Mary Ann Hoberman & illustrated by Luciano Lozano

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I LIKE OLD CLOTHES
by Mary Ann Hoberman & illustrated by Patrice Barton

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HANSEL AND GRETEL

by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025

Menacing and most likely to appeal to established fans of its co-creators.

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Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

Categories:

CHILDREN'S FAMILY

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BECAUSE YOUR DADDY LOVES YOU

by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005

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Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)