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HOW TO HAVE A BIRTHDAY

A delightful conversation starter on a topic of perennial interest to young children.

Are there key ingredients that are part of any (American) child’s birthday?

Ray intimates that there are. Her narrative employs the second person, a choice that instantly draws the listener in: “…your birthday is to celebrate that you are here. It’s to tell you that you matter.” Derby’s compositions follow three characters throughout their special days. Two have brown skin—one with long, straight hair and the other with two Afro puffs. The third child is White with flaming red hair and glasses. Each carries a stuffed animal. The telling is sensitive to class and income differences, often using the conditional may or might, and while presents and singing are mentioned, intangibles and independent actions are mentioned as well: your first present is “…you get to wonder” (what will occur on this day), and you can always sing to yourself. Traditions and cake are often involved, but it’s also terrific that birthdays are portable; they go with you all day, whatever you do. Dynamic single- or double-page scenes depict snowy, windswept play; dabs of vibrant color suggest a field of flowers that, upon closer inspection, reveal bodies and faces, illustrating the idea that pictures will help you remember the occasion. The title concludes with three horizontal, parallel views, one for each child as they make wishes.

A delightful conversation starter on a topic of perennial interest to young children. (Picture book. 4-7)

Pub Date: Sept. 14, 2021

ISBN: 978-1-5362-0741-5

Page Count: 32

Publisher: Candlewick

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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