This attractive new look at underwater life may inspire diving dreams for both city and country readers.
The familiar contrast between city and country is used to compare the teeming, colorful and diverse world of tropical fishes with the more uniformly colored, less varied and less crowded cold-water world.
Cerullo, who used the city metaphor in her earlier Coral Reef (1995), organizes support for this extension in double-page spreads, contrasting the fish of warmer and cooler bioregions in various ways. She goes beyond number and density to consider such factors as size and shape, coloration, cooperation and specializations. Her interesting text sometimes sits on and sometimes adjoins Rotman’s striking underwater photographs. Species are identified. The perspective often reflects the viewpoint of the photographer-diver—noting, for example, the different colors of the water. A section entitled “How Humans Can Become Fish” describes scuba diving and includes an image of the photographer's wetsuit-clad son with a giant lobster. A final section connects this underwater world to our own. Words in italics are defined in a glossary, which includes important concepts (ecosystems, symbiosis, food web, tropical vs. temperate) and more specialized vocabulary (lateral line, barbel, phytoplankton, chromatophore). The short list of suggested further reading includes more of the author’s writings and not much else, a disappointment in an otherwise informative title.
This attractive new look at underwater life may inspire diving dreams for both city and country readers. (Nonfiction. 9-13)Pub Date: May 1, 2012
ISBN: 978-0-88448-323-6
Page Count: 32
Publisher: Tilbury House
Review Posted Online: April 24, 2012
Kirkus Reviews Issue: May 15, 2012
A pleasing premise for book lovers.
A fantasy-loving bookworm makes a wonderful, terrible bargain.
When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)
A pleasing premise for book lovers. (Fantasy. 9-12)Pub Date: May 2, 2023
ISBN: 9780316448222
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted...
Versatile Newbery Medalist Creech (A Fine, Fine School, p. 862, etc.) continues to explore new writing paths with her latest, written as free verse from the viewpoint of a middle-school boy named Jack.
Creech knows all about reluctant writers from her own years of teaching, and she skillfully reveals Jack’s animosity toward books and poetry, and especially about writing his own poems. He questions the very nature of poetry, forcing the reader to think about this question, too. Jack’s class assignments incorporate responses to eight well-known poems (included in an appendix) and gradually reveal the circumstances, and Jack’s hidden feelings, about the loss of his beloved dog. Jack’s poetry grows in length, complexity, and quality from September to May, until he proudly sends his best poem about his dog and a heartfelt thank-you poem to Walter Dean Myers after the author’s school visit. The inclusion of the eight poems is an advantage, because comments on the poems are often part of Jack’s poetry. Others not already familiar with these famous poems, though, might miss the allusions in Jack’s work. (There is no note at the beginning of the book to point the reader to the appendix.) But it’s a quick read, offering a chance to go back and look again. Teachers will take this story to heart, recognizing Miss Stretchberry’s skilled and graceful teaching and Jack’s subtle emotional growth both as a person and a writer.
This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted readers. (Fiction/poetry. 9-13)Pub Date: Aug. 1, 2001
ISBN: 0-06-029287-3
Page Count: 112
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
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