by Mary Peterson ; illustrated by Mary Peterson ‧ RELEASE DATE: March 24, 2020
A nibble into chapter books for emerging readers.
A snail searches for the perfect home—for both his heart and his stomach.
Snail loves his “old rusty bucket full of sweet red strawberries.” Well, more the strawberries than the bucket—the strawberries are his breakfast, lunch, supper, and dessert. Snail loves strawberries so much he gets buried in them. His best friend, Ladybug, has to call out to him to make sure he’s still there. One day, Ladybug tries to convince Snail to go house hunting. She wants Snail to move closer to her (and away from the strawberries). Snail refuses until he nearly eats himself out of house and home, getting so sick that he throws up (readers will echo Ladybug’s revolted reaction). Together, Snail and Ladybug go on a grand, slightly dangerous adventure to find the house that’s just right. But can they make it past the hungry chicken? Snail’s second outing (Snail Has Lunch, 2016) is five short chapters of pure silliness. Peterson’s full-color cartoon illustrations—rendered without black outlines—adopt a bright, springtime feel. Spreads often combine descriptive text with dialogue in speech bubbles, with at most 12 sentences per page. Sentences vary in length and complexity, but pictorial cues, mostly white backgrounds, and deliberate text placement help keep the story accessible. However, some of the busier pages do look a bit cluttered without panels to guide readers.
A nibble into chapter books for emerging readers. (Early reader. 6-9)Pub Date: March 24, 2020
ISBN: 978-1-5344-3185-0
Page Count: 64
Publisher: Aladdin PIX
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Share your opinion of this book
More by Kate Dopirak
BOOK REVIEW
by Kate Dopirak ; illustrated by Mary Peterson
BOOK REVIEW
by Mary Peterson ; illustrated by Mary Peterson
BOOK REVIEW
by Cindy Jenson-Elliott ; illustrated by Mary Peterson
by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Share your opinion of this book
by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Sept. 2, 2025
Extraordinary introductory terror, beautiful to the eye and sure to delight younger horror enthusiasts.
What terrors lurk within your mouth? Jasper Rabbit knows.
“You have stumbled your way into the unknown.” The young bunny introduced in Reynolds and Brown’s Caldecott Honor–winning picture book, Creepy Carrots (2012), takes up Rod Serling’s mantle, and the fit is perfect. Mimicking an episode of The Twilight Zone, the book follows Charlie Marmot, an average kid with a penchant for the strange and unusual. He’s pleased when his tonsils become infected; maybe once they’re out he can take them to school for show and tell! That’s when bizarre things start to happen: Noises in the night. Slimy trails on his bedroom floor. And when Charlie goes in for his surgery, he’s told that the tonsils have disappeared from his throat; clearly something sinister is afoot. Those not yet ready for Goosebumps levels of horror will find this a welcome starter pack. Reynolds has perfected the tension he employed in his Creepy Tales! series, and partner in crime Brown imbues each illustration with both humor and a delicate undercurrent of dark foreshadowing. While the fleshy pink tonsils—the sole spot of color in this black-and-white world—aren’t outrageously gross, there’s something distinctly disgusting about them. And though the book stars cute, furry woodland creatures, the spooky surprise ending is 100% otherworldly—a marvelous moment of twisted logic.
Extraordinary introductory terror, beautiful to the eye and sure to delight younger horror enthusiasts. (Early chapter book. 6-9)Pub Date: Sept. 2, 2025
ISBN: 9781665961080
Page Count: 88
Publisher: Simon & Schuster
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
Share your opinion of this book
More by Aaron Reynolds
BOOK REVIEW
by Aaron Reynolds ; illustrated by Peter Brown
BOOK REVIEW
by Aaron Reynolds ; illustrated by Cam Kendell
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.