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YOU ARE MY WISH

From the You Are My… series , Vol. 3

With too many lines like the latter and not enough like the former, this well-intentioned book sinks under its own metaphors.

A grandmother teddy bear enjoys a day with her grandchild in this latest entry in the You Are My... series.

Ichikawa's soft watercolors place her characters against a clean white background, providing just enough detail that readers will get a sense of the setting. On a spring outing, they picnic, make daisy chains, swing, sing and snuggle. It's a pleasing interlude, as long as readers don't interrogate the text too hard: "I am your strong arms; / you are my fast airplane" works well, particularly as it accompanies a picture of grandma holding her grandchild up high, but "I am your home-baked bread; / you are my grape jelly" is both nonsensical and slightly icky.

With too many lines like the latter and not enough like the former, this well-intentioned book sinks under its own metaphors. (Picture book. 3-5)

Pub Date: March 1, 2010

ISBN: 978-0-399-24752-1

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 21, 2011

Kirkus Reviews Issue: March 15, 2010

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LOLA LOVES STORIES

From the Lola & Leo series

Lola’s daddy takes her to the library every Saturday, where she finds “excellent books,” and every night her mommy or daddy reads them to her. The next day Lola acts out the story. On Sunday she’s a fairy princess; on Monday she takes her toy animals “on fantastic trips to places like Paris”; on Wednesday she’s a tiger, etc. Each new book and day provides Lola with a variety of tales to play out, with the last one—which is about a wild monster—posing the question, “What will Lola be tomorrow?” The final page shows her in a wolf suit just like Max’s. The library books, the pretending and the incorporation of the days of the week work together as a simple and pleasing premise. Beardshaw’s acrylic illustrations depict the multicultural kids and Lola’s black family with childlike charm, while the title will have librarians, parents and booksellers smiling. Alert: The book will be an invitation for lap kids to follow Lola’s lead—not such a bad thing. (Picture book. 3-5)

Pub Date: July 1, 2010

ISBN: 978-1-58089-258-2

Page Count: 28

Publisher: Charlesbridge

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: June 1, 2010

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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