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THE BROTHERS

THE ROAD TO AN AMERICAN TRAGEDY

There are no pat answers, but Gessen makes it eerily plain to see how simply an atrocity can manifest.

The bombing of the 2013 Boston Marathon resulted in a deluge of media coverage, none of which offered a satisfying explanation of why it happened. This book attempts to find an answer.

Russian-American journalist Gessen (Words Will Break Cement: The Passion of Pussy Riot, 2014, etc.) follows the Tsarnaev family on their unending quest for a stable life; a map in the front of the book details a dozen moves in less than 30 years. Uprooted repeatedly by war or lack of opportunity, the family remained in Cambridge for nearly a decade before things turned sour. After the bombings, with Tamerlan dead and Dzhokhar in prison, the treatment of local Chechens by law enforcement overwhelmingly echoed the treatment they fled at home. The sense that things were no better for them in the United States highlights the disillusionment that some would-be terrorists convert into hatred and, often, violence. The lockdown of an entire neighborhood while the manhunt took place struck many as a violation of civil liberties, but the war on terror offered a free pass to law enforcement, both to do whatever they wanted and to answer to very little in the aftermath. Gessen believes the brothers are guilty, but those who think the bombings were a setup by the FBI have ample material to build the case for conspiracy, so voluminous were the redactions and refusals to divulge information. Most chilling is the sheer normalcy of the brothers, one a small-time pot dealer who wasted time playing video games, the other a married father who was still very much an adolescent at heart. How could they do such a thing? Did they act alone or, as seems likely, have help building the explosives?

There are no pat answers, but Gessen makes it eerily plain to see how simply an atrocity can manifest.

Pub Date: April 7, 2015

ISBN: 978-1-59463-264-8

Page Count: 288

Publisher: Riverhead

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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