Next book

THE DESERTERS

A powerfully elusive meditation by one of Europe’s most challenging authors.

Prix Goncourt–winning French author Énard’s short novel maps the stark geometry between the Holocaust and 9/11, ideology and fate, truth and memory.

In 1995, noted East German mathematician Paul Heudeber, a Buchenwald survivor, drowned, an apparent suicide. A quarter-century later, his daughter, Irina, muses on his time in the concentration camp, his unshakable devotion to mathematics (“the other name for hope”), and his exploits as an outspoken antifascist and Communist sympathizer. She also flashes back to Sept. 11, 2001, when she and her aged mother, a politically active “orphan of the Revolution,” attended a celebration of her father’s work at a floating conference on a boat outside Berlin. Following the terrorist attacks in America, “the night kept falling,” recalls Irina, “our faith in a kind of peace…crumbling away.” While Irina’s recollections have the immediacy and directness of a diary, the novel’s alternating narrative is told in a kind of purgatorial stream-of-consciousness poetry, voiced by a barely conscious male deserter fleeing an unnamed contemporary war and a rightfully fearful young woman he encounters in the mountains. (She’s accompanied by an injured donkey, the book’s hero.) Énard, whose 500-page novel Zone (2010) consisted of a single-sentence monologue, draws eerie meaning from the odd particularities of the natural world: “a luminous puddle stretches out over the rocks, the pebbles, so many reefs on a dazzled sea, strewn with green inlets, something trembles…” Ultimately, the book is haunted by the endless cycle of war and cruelty. “You don’t want the vexations of the past to suffocate you,” says the deserter. How can we avoid that? For Heudeber, it’s all in the numbers.

A powerfully elusive meditation by one of Europe’s most challenging authors.

Pub Date: May 6, 2025

ISBN: 9780811239011

Page Count: 192

Publisher: New Directions

Review Posted Online: March 8, 2025

Kirkus Reviews Issue: April 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 50


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

Awards & Accolades

Likes

  • Readers Vote
  • 50


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 155


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WEDDING PEOPLE

Uneven but fitfully amusing.

Awards & Accolades

Likes

  • Readers Vote
  • 155


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

Close Quickview