A worthy theme of noticing the “show” of nature receives an uninspired illustrative treatment.
A young girl discovers the fascination of nature.
Camille is bored one rainy Sunday and decides to go outside. There she communes with the raindrops, sticking out her tongue (“the rain tastes like dust, like clouds”), and “shivers with happiness” when the thunder comes. She talks to the ants, who tell her they are “going to a show.” Camille naturally wonders what the show is, but the story doesn’t go there directly. Instead, Camille cavorts. (Young readers will notice here that the illustrations do not sync with the text, which reads that she ‘“runs her hands through the tall, wet grass” whose “strands tickle her palms,” while the illustration shows Camille stretching on a brick wall and then splashing in a puddle.) When she spies a spider on a rose bush, weaving a web, she, too, mentions the show. Again, Camille wonders what the show is but, again, doesn’t go looking. While pondering a big tree, she inadvertently comes upon the show—a chrysalis opening. While the somewhat-scattered text doesn’t follow a strong story arc, its meandering does underscore the whimsy of an unplanned walk in the rain. However, Dek’s illustrations—rendered in watercolor (but so opaque as to look like gouache)—dampen rather than uplift. Their clunky, ponderous style just doesn’t appropriately complement a story about the evanescence, transformation, and luminosity of nature. All humans shown are white.
A worthy theme of noticing the “show” of nature receives an uninspired illustrative treatment. (Picture book. 3-7)Pub Date: Sept. 17, 2019
ISBN: 978-1-61689-828-1
Page Count: 44
Publisher: Princeton Architectural Press
Review Posted Online: July 23, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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