An assured introduction. Readers will want to hear more from Griffin, though perhaps without sputtering motors and whirring...
Deliberately paced, thoughtful story of men in love over many years against considerable odds.
Gay life in the South doesn't always take place in a colonial row house in Savannah or a beachfront condo in Myrtle Beach. In Griffin’s debut novel, it's lived out in the shadows in a run-down North Carolina mill town, where Wendell Wilson, a taxidermist, has lived a long and eventful life with Frank Clifton, a World War II veteran who melted Wendell’s heart the minute they met. Or melted the world, anyway, for with Frank’s smile, “the branches shuddered off their casts of ice, and the power lines broke free of their insulation, snapped taut and scattered it over the street in pieces that still cupped the hollow channel where the wire had run.” That’s some powerful allure. The title of Griffin’s novel is both noun and verb, for while Wendell works magic with the bodies of unfortunate animals, the men keep their relationship secret, lest they be hounded out of town. But now Frank is 83, has had a mild stroke, and has affairs to get in order. As Frank grapples with a faltering mind and body and difficult memories of war—crushing the head of an enemy soldier with a rock “ain’t the worst I did,” he grumbles—Wendell finds himself in the unwished-for role of caretaker. Griffin’s story sometimes feels derivative, with dollops of Annie Proulx here and lashings of Allan Gurganus there, with some Jane Smiley and perhaps Bobbie Ann Mason thrown in for good measure. But it also feels genuine, recounting the love of two very different people made to live in fear but who endure with considerable dignity, allowing for the occasional mishap. On that note, animal lovers will shudder at one terrible episode, late in the book, involving a dog and a lawn mower. Suffice it to say, it’s not for the squeamish.
An assured introduction. Readers will want to hear more from Griffin, though perhaps without sputtering motors and whirring blades.Pub Date: Feb. 16, 2016
ISBN: 978-1-63286-338-6
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: Sept. 22, 2015
Kirkus Reviews Issue: Oct. 1, 2015
BOOK REVIEW
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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