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OUTSIDE OVER THERE

"When Papa was away at sea/ And Mama in the arbor/ Ida played her wonder horn/ to rock the baby still/ but never watched." Sendak's latest picture book recalls Where the Wild Things Are in the way it plunges us into the stream of a child's life, without a preliminary word. As in The Wild Things and In the Night Kitchen, the words throughout are few, reverberant, and rhythmic in a fluent, self-contained way that never deigns, here, to quite fulfill our ears' expectations. Here the poetry is more subtly charged, suggestive, and almost hypnotic—an effect that is reinforced by these more complex pictures, which abandon cartoons to communicate and interact with the story from within the traditions of painting. What happens when Ida is not watching is that two faceless, hooded figures—familiar from previous Sendak work, as are other images here—appear at the window and "pull the baby out." The monstrous, stating changeling they leave in her place turns to ice in Ida's arms, whereupon she dons her mother's yellow raincoat and flies off—literally, though it looks more like floating, against agitated clouds, lost and awkward in the elaborate golden folds of some old drapery master's madonna cloak. (One wonders, at times, how these art-historical references relate to the emotional content of the story.) In any case, Ida is off to retrieve her sister from the goblins, who would marry the baby to one of their nasty company. But then the sinister goblins prove to be only babies, and Ida charms them and makes them "dancing sick" with a captivating tune. (The dancing goblin babies' expressions, from innocent delight to one sly smirk, are a study in themselves.) Returning safe through tranquil soft-toned countryside, Ida seems to be heading toward a Rackhamesque tree about to pounce—but not so. Butterflies flit softly around the tree, and off to the left behind the path Ida has passed, Mozart sits serenely in a little shelter, unremarked. Scarcely a spread is without a vista of the sea, with a ship in the distance and a storm that is most violent at the kidnapping and gives way to soft blue skies at the end. There's much to see, much to feel, much to follow, and all of it beautifully integrated. Whether it has the direct, elemental strength of Sendak's previous picture books is less certain.

Pub Date: April 22, 1981

ISBN: 0060255234

Page Count: 40

Publisher: Harper & Row

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: May 1, 1981

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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HOLES

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...

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Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).

Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)

Pub Date: Sept. 1, 1998

ISBN: 978-0-374-33265-5

Page Count: 233

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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