A revealing life of an important historical figure that does not diminish her.
A fresh look at an international icon, offering new perspectives on her life and work.
Helen Keller (1880-1968) is remembered today as a deaf and blind child who learned to read, write, and speak, graduated college, and lived a productive life devoted to helping others. This was only part of her story, writes Canadian journalist and filmmaker Wallace in this compelling biography, which aims to quash the traditional maudlin portrayal as well as the misleading Oscar-winning 1963 movie whose hero is not Helen but her teacher, Annie Sullivan, the “Miracle Worker.” Though the author praises Sullivan as a brilliant teacher, he adds that Keller’s greatness was not merely her ability to learn, but what she accomplished with it. She was fluent in six languages, read vastly in all, and wrote numerous books, essays, and lectures, many highly opinionated. When she published her bestselling autobiography, The Story of My Life, in 1903, she was already hailed as an inspirational figure. This remains the popular image, although even during her life, the media worked hard to discount activities that would have offended admirers. Keller joined the Socialist Party of America in 1909 but left after several years because she believed it was too moderate. Like many reformers, she welcomed the Russian Revolution, and she never lost her “admiration” for the Soviet Union, even after it became unfashionable. She denounced racism both in the American South and South Africa long before it became fashionable, spoke out against poverty and child labor, supported unions and women’s suffrage, and served as a founding board member for the ACLU. This created difficulties for historians as well as journalists, and Wallace delivers an amusing review of Keller biographies. Early writers simply fawned, while later biographers dropped hints of radicalism. More recent works, especially Joseph Lash’s Helen and Teacher (1980), produced widespread outrage. Even Lash waffles by assuring readers that Keller was likely “duped” by communists, but Wallace expresses convincing doubt.
A revealing life of an important historical figure that does not diminish her.Pub Date: April 11, 2023
ISBN: 9781538707685
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
