by Megan McDonald & illustrated by Katherine Tillotson ‧ RELEASE DATE: Oct. 1, 2005
After-hours in a library transforms into a magical time as the story puppets become animated. When Rabbit discovers Hermit Crab missing from their communal box, he coaxes sleepy Lion to help find him. The duo searches the library with the aid of maps, skirts dastardly giants and enjoys a “found” picnic harvested from the garbage bins. As Lion and Rabbit explore, ordinary objects become extraordinary pathways to adventure. There is a fluid interplay between the text and artwork. Tillotson’s oil paintings expand upon the imaginative flights of fancy; everyday items cast appropriately eerie shadows through clever manipulations of their placement. She also reveals the practical origins of Rabbit and Lion’s grandiose imaginings; a starry night sky turns out to be children’s names written on suspended star cut-outs, etc. While obviously the size and format of a traditional picture book, the story is broken into titled segments and reads more like a truncated first-chapter book. Slightly challenging as a read-aloud for younger preschoolers, the tale is ideally suited for shared story time with an older audience. (Picture book. 4-8)
Pub Date: Oct. 1, 2005
ISBN: 0-689-86170-2
Page Count: 40
Publisher: Richard Jackson/Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
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by Megan McDonald ; illustrated by Lenny Wen
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by Megan McDonald ; illustrated by Scott Nash
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by Erin Guendelsberger ; illustrated by Stila Lim ‧ RELEASE DATE: Feb. 1, 2022
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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