An evocative narrative about identity, community, and the power of nurturing relationships.
A gripping story, told in two voices, about the need to belong.
Cody Stouffer, who’s white, is growing up in an unpredictable environment with an absent mother and an abusive father. He craves safety and security. Thirteen-year-old Autumn Bird, who’s Cree, lives in a wealthy Toronto neighborhood with her parents, a doctor and an artist, and she hangs with the cool group at school. One night, she finds Cody lying semiconscious on the ground near her home, unwashed and physically battered. Although she’s ignored him at school, Autumn is moved by Cody’s plight. He’s terrified of being sent back to his father, so she sneaks him into her father’s art studio. When Autumn’s parents inevitably discover his presence, they model empathy and compassion, even though Cody’s been influenced by his father’s racist attitudes toward Indigenous people and makes deeply insensitive comments, angering Autumn. As Cody tries to navigate his confusing new life, he’s unsure of whom to trust. Autumn, relying on her own instincts, is on a path to figuring out her authentic place among her friends. Florence (Cree and Scottish) and Scrimger layer their characters’ alternating voices with insightful descriptions and metaphors. Both young people display a degree of confidence and grow over the course of the book as they learn to better discern their circumstances while dealing with subtle acts of exclusion.
An evocative narrative about identity, community, and the power of nurturing relationships. (Fiction. 9-13)Pub Date: April 2, 2024
ISBN: 9781339002859
Page Count: 256
Publisher: Scholastic
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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SEEN & HEARD
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