by Mia Couto ; translated by David Brookshaw with Eric M.B. Becker ‧ RELEASE DATE: Feb. 9, 2021
A worthy if overlong introduction to a unique and atmospheric African writer’s work.
A career-spanning collection from the Mozambican writer, seeking an intersection between his country’s folklore and its colonial past.
Many of the stories here appear in English (from the Portuguese) for the first time, drawing from works first published in 1986 to a clutch of new material. Despite that breadth, Couto’s concerns, and much of his style, have remained consistent: He focuses on the inner lives of everyday people, usually with a twist involving mysticism or superstition. “The Tale of the Two Who Returned From the Dead” is about just that, about two apparitions caught up in the local bureaucracy. In “The Flagpoles of Beyondwards,” an allegory about the impossibility of isolation from outside forces, a man tries to protect his daughter from a visitor’s attention. Shape-shifting abounds: A heart gives birth to a child in “The Child’s Heart and the Heart’s Child” while a man’s wife takes the form of multiple women in “Ezequiela, Humanity,” much to the husband’s pleasure and, eventually, fear. Stories drawn from the collection Rain: And Other Stories(2019) deal more explicitly with Mozambican history, specifically its civil war that ran from the 1970s through the '90s, but he’s more interested in conjuring a melancholy mood. That’s not always to his credit; stories often don’t end so much as drift to lyrical conclusions; his recent Sands of the Emperor Trilogy (Woman of the Ashes, 2018, etc.) is on sturdier historical footing. But his most potent stories here merge the humane and surrealistic, often with nautical premises. A whale is believed capable of providing whatever a man might wish; a mute girl who finds her voice at the seashore and the neighbors in the closing title story speak in bittersweet tones about their (and our) connection to the sea: “A tear is the sea caressing your soul. That little speck of water is us as we return to the womb we came from.”
A worthy if overlong introduction to a unique and atmospheric African writer’s work.Pub Date: Feb. 9, 2021
ISBN: 978-1-7796-388-6
Page Count: 384
Publisher: Biblioasis
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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by Mia Couto ; translated by David Brookshaw
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by Mia Couto ; translated by David Brookshaw
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by Mia Couto ; translated by David Brookshaw
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PERSPECTIVES
by Mitch Albom ‧ RELEASE DATE: Oct. 7, 2025
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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