An eloquent response to an urgent—and still-unresolved—dilemma.
A social and political analyst reflects on racial tensions in contemporary America.
In 1963, Robert Kennedy asked James Baldwin to organize a small, private gathering of prominent African-Americans in order to hear their views on combating segregation and discrimination. Dyson (Sociology/Georgetown Univ.; Tears We Cannot Stop: A Sermon to White America, 2017, etc.) uses that meeting as a jumping-off point for an incisive look at the roles of politicians, artists, intellectuals, and activists in confronting racial injustice and effecting change. The meeting, notes the author, was frustrating for Kennedy and his guests. Besides Baldwin, they included playwright Lorraine Hansberry, black activist Jerome Smith, and entertainers Harry Belafonte and Lena Horne. Hoping that a conversation would result in a practical “urban agenda,” Kennedy was stunned by “a gut punch of black rage.” For nearly three hours he listened to “violent, emotional verbal assaults,” especially from Smith, who claimed that he was “close to the moment where I’m ready to take up a gun.” To Kennedy, his guests seemed “more interested in witness than policy.” Their emotional testimony struck him as “hysterical.” For their part, they saw Kennedy as a well-meaning but ignorant white liberal. White America’s hatred of blackness, Kennedy’s guests agreed, “could never be solved solely by a governmental program.” The meeting, Dyson asserts, exposed rage that still persists, as blacks struggle to find “room to breathe within the smothering confines of white society” and public figures grapple for solutions. The author points to Minneapolis Councilwoman Andrea Jenkins and California senator Kamala Harris; black intellectuals Ta-Nehisi Coates, Erin Aubry Kaplan, and Farah Jasmine Griffin; artists Jay-Z and Beyoncé; and sports figures Muhammad Ali and Colin Kaepernick as inspiring figures courageous enough “to face down oppression in our land.” Dyson also celebrates the potent image of Wakanda in the movie Black Panther, which helps “remythologize blackness, to see blackness as an imagined kingdom of possibility, to see it as an alternative universe of humane endeavor.”
An eloquent response to an urgent—and still-unresolved—dilemma.Pub Date: June 5, 2018
ISBN: 978-1-250-19941-6
Page Count: 304
Publisher: St. Martin's
Review Posted Online: April 29, 2018
Kirkus Reviews Issue: May 15, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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