by Michael Garland ; illustrated by Michael Garland ‧ RELEASE DATE: June 24, 2014
If only all students were as diligent and truthful as this one (and every homework search turned out as happily).
It turns out the dog really did eat the homework.
Garland’s title page nicely sets the scene and establishes the young narrator’s veracity: He is dutifully sitting at his desk, lamp blazing, doing his homework. But the next morning, the papers are nowhere to be found. In an excellent portrayal of searches by real-life kids, who imagine that everyone would want and naturally steal what they are looking for, spread upon spread of full-bleed illustrations in rich colors show readers what the boy imagines happened to his homework: “Maybe Martians from outer space invaded my room and abducted my homework!” Plundered by pirates, taken by a slithery boa constrictor and run away to join the circus are just a few of the other possibilities. But just as his mother is calling that it’s getting late, he hears some suspicious slobbering from the living room. (The question of where the homework was between the boy’s desperate search for it, dog at his heels, and his hearing these noises is never addressed.) Of course, the boy simply must drag the dog to school to confront his teacher, and a lucky deus ex machina belies her suspicions. Garland’s trademark style combines fuzzily digital illustrations (especially of hair and fur) with collaged patterns and textures.
If only all students were as diligent and truthful as this one (and every homework search turned out as happily). (Picture book. 5-7)Pub Date: June 24, 2014
ISBN: 978-0-545-43655-7
Page Count: 32
Publisher: Cartwheel/Scholastic
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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by David Milgrim & illustrated by David Milgrim ‧ RELEASE DATE: March 1, 2003
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by David Milgrim ; illustrated by David Milgrim
by David Milgrim & illustrated by David Milgrim
by David Milgrim & illustrated by David Milgrim
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by Antoinette Portis ; illustrated by Antoinette Portis ‧ RELEASE DATE: Dec. 1, 2006
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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