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PACIFIC RIFT

An inquiry into sociological divergences that, for all its apparent artlessness and deceptive brevity, goes a long way toward explaining precisely what strains the commercial ties that still bind the US and Japan. With his customary acuity, Lewis (Liar's Poker, The Money Culture) focuses on two businessmen—front-line troops in the trade war now raging between the two economic superpowers. One is an insurance executive from the Midwest who worked in Tokyo for nearly two decades; the other, a Harvard-educated Japanese now based in N.Y.C., where he looks after the real-estate interests of a major zaibatsu (corporate alliance). From the expatriate American, Lewis learns a lot about the intricate web of politico-mercantile relationships that help preserve the status quo—and discourage genuine competition—in the island nation's domestic markets. Likewise, the Manhattanite pro tem offers insights on his countryman's yen to gain prestige and avoid conspicuous failure, traits that clarify the willingness of Japanese enterprise to make high-profile investments in properties (like Rockefeller Center) that afford little in the way of financial returns. The Japanese also argues that 1960's liberalism cost the US its capacity to vie on an equal footing with Japan's latter-day organization men. On a recent trip to Tokyo, Lewis discovered to his surprise that the journalist who broke the Recruit-scandal story, which forced the resignation of a prime minister, became neither rich nor famous. The object lesson in this outcome, at least for the author's Japanese sources, is that Americans are preoccupied with earning money and/or preferment in the short run, not in doing the right thing. Be that as it may, Lewis concludes that the Japanese are not just like us, and that their formidable economic system reflects these cultural differences. A gifted annalist's appreciation of why ``East is East, and West is West, and never the twain shall meet.''

Pub Date: May 1, 1992

ISBN: 0-393-03105-5

Page Count: 144

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1992

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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