As they say in the movies, the Black Star Renegades will return.
A young space warrior must combat the forces of evil to bring peace and justice to the universe.
Moreci (The Throwaway, 2018, etc.) is a prolific comic book writer, sci-fi observer, and generally nerdy dude, and he brings all of those strengths to bear in a propulsive space opera that is also an unapologetic love letter to Star Wars. The novel opens on a chase sequence as brothers Cade and Tristan Sura are on the run from some intergalactic scumbags. But they’re rescued by Ser Jorken, a bo staff–wielding warrior who is loyal to an ancient order of galactic defenders known as The Well. A decade later, Tristan is prophesied to be the “Paragon,” the uniting force who will use an ancient weapon to bring balance to the universe. But during a very Indiana Jones–style mission to steal an all-powerful spear called the Rokura, the brothers are set upon by a member of the Fatebreakers, a death squad loyal only to Ga Halle, the evil queen of the Praxis Empire. Left to his own mission, Cade hooks up with his reluctant friend Mig and Kira Sen, a badass space pilot, to save the universe. Now it’s up to Cade and a rogues’ gallery of pilots, amigos, and robots to take control of the Rokura and lead a fierce rebellion against the Praxis before they can use the War Hammer, a world-destroying superweapon powered by draining a sun. These are all the same beats used in everything from Joseph Campbell’s mythology to George Lucas’ enduring saga, but Moreci has assembled them with such devotion and style that it’s impossible not to love this strange mashup for its own sake. From intergalactic space battles to blaster fights to rogue robots and various hives of scum and villainy, this shiny space opera is bound to be a pleasure for fans of all stripes.
As they say in the movies, the Black Star Renegades will return.Pub Date: Jan. 2, 2018
ISBN: 978-1-250-11784-7
Page Count: 384
Publisher: St. Martin's
Review Posted Online: Sept. 27, 2017
Kirkus Reviews Issue: Oct. 15, 2017
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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