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SHADOWS OVER BAKER STREET

NEW TALES OF TERROR

A few clunkers aside: a very entertaining volume.

Conan Doyle’s immortal creations Holmes and Watson battle enigmatic forces of darkness in this smartly conceived collection of 18 new tales of intrigue, detection, and horror.

Each story proceeds from the premise that the dauntless duo are engaged to solve crimes whose perpetrators are eerily reminiscent of phenomena described in H.P. Lovecraft’s grisly Ctulhu Mythos stories. The manual of black arts studied by such creatures is the dreaded Necronomicon, conveniently described (in editor Reaves’s “The Adventure of the Arab’s Manuscript”) as “a compendium of ancient lore and forbidden knowledge concerning various pre-Adamite beings and creations, some of extraterrestrial origin, who once ruled the earth and who anticipate doing so again”). Several stories do too little with the core idea of overreaching antiquaries who unwisely summon slumbering supernatural entities. But there are several noteworthy exceptions. The volume is neatly bracketed by ever-dependable Neil Gaiman’s witty imagining of Holmes’s first encounter with his archenemy Professor Moriarty (“A Study in Emerald”) and Simon Clark’s “Nightmare in Wax,” in which Moriarty gains possession of the Necronomicon, with amusingly ghastly and surprising consequences. The best of the remainder: a delicious battle of wits between Holmes and a Balinese beauty who pits herself against a man-eating demon (Steve Perry’s “The Case of the Wavy Black Dagger”); the combined efforts of Holmes and his sedentary, brilliant sibling Mycroft to rescue a sea captain cursed by an exotic stone carving (Brian Stableford’s “Art in the Blood”); John P. Vourlis’s nicely plotted tale of an entire village overcome by an unnatural sleeplessness (“A Case of Insomnia”); and F. Gwynplaine McIntyre’s stunning “The Adventure of Exham Priory,” an ingenious reworking of the familiar incident of Holmes’s misadventure at the Reichenbach Falls. Other notable contributions are by genre veterans Barbara Hambly and Tim Lebbon and less familiar authors Steven Elliott-Altman and James Lowder.

A few clunkers aside: a very entertaining volume.

Pub Date: Oct. 1, 2003

ISBN: 0-345-45528-2

Page Count: 464

Publisher: Del Rey/Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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