A deftly constructed and tautly told rejoinder to Robert Louis Stevenson’s Kidnapped, sympathetic but also sharp-edged.
A harrowing and affecting account of two and a half years of captivity at the hands of Somali pirates.
“It’s hard to write one adventurous book without thinking about another,” writes Moore early on, recounting his quest, told in Sweetness and Blood (2010), to document how the American fascination with surfing had spread into other parts of the world. Americans and the rest of the world were then fascinated with the pirates making news by marauding off the Horn of Africa, and so the author traveled to witness them firsthand. “The rise of modern pirates buzzing off Somalia was an example of entropy in my lifetime,” he writes, “and it seemed important to know why there were pirates at all.” He quickly learned. Taken captive, Moore learned lessons in the sociology, economics, and psychology of piracy while at the same time enduring some terrible treatment—some of it for show, some of it quite in earnest—as his captors tried to convince his poor mother, and then whomever would listen, to come up with $20 million for his freedom. There’s plenty of gallows humor as Moore settles in for his long spell of unhappiness. When his young captors, “stoned on narcotic cud,” blast music from their cellphones, he asks a senior to get them to turn it down. “They’re soldiers,” he’s told by way of explanation, to which he replies, “ask them to be quiet soldiers.” Imprisoned among a score or so of other captives, mostly Chinese and Filipino, the author discerned that many Somalis turn to piracy for lack of other opportunities, but while “each pirate was here to steal my money,” few were eager to cause him personal harm. Moore’s humane consideration of his captors reflects some of the small kindnesses he was shown, but it also contrasts with the indifference of Western officials who, it seems, would sooner have sent in the bombers than pay the ransom.
A deftly constructed and tautly told rejoinder to Robert Louis Stevenson’s Kidnapped, sympathetic but also sharp-edged.Pub Date: July 24, 2018
ISBN: 978-0-06-244917-7
Page Count: 464
Publisher: Harper Wave
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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