by Michèle Gerber Klein ‧ RELEASE DATE: March 27, 2018
A biography that would benefit from acknowledging the problems with the world its subject inhabited.
A luscious exposé of a game-changing designer who revolutionized the fashion industry.
In her debut biography, Klein, the founder of joan vass USA, introduces readers to Charles James (1906-1978), the notoriously fabulous British-born fashion designer who sought to incorporate countless areas of study into the art of fashion. Self-described as “a legend because my work is too little known,” James started making waves in the fashion industry in the 1930s. “There were never more than a handful of Charles James matrix designs,” writes the author. “But each one is a masterpiece, developed with painstaking care and slowness, and so beautifully calibrated that one small change could throw everything off balance.” This close attention to pristine detail is what set James apart from the other aspiring designers. More specifically, it was due to his wild imagination for new ways of stitching fabric together and his wide social network. Klein organizes the chapters according to specific people who influenced James or with whom James went into business, drew inspiration from, or loved. Interestingly, Klein pushes the biographical genre by writing about her subject through the stories of those who surrounded him. Refreshingly, the result is neither a chronological nor traditional biography. However, the narrative oozes with white privilege and unrestrained, ultimately tiresome affluence—e.g., “in the ballroom, whose walls were decorated with shining floor-to-ceiling mirrors set into seventeenth-century boiserie, the elite of Paris society were seated on small gold-backed chairs around little white circular tables, lit by long narrow tapers in three-pronged silver candelabras.” Although this was certainly the world in which Klein’s subject thrived, the author could have provided deeper explorations into the designer’s cultural and social milieu. Ultimately, the book is a frothy, readable catalog of luxury; whether or not this kind of affluence resonates (or is of interest) in today’s landscape is unclear.
A biography that would benefit from acknowledging the problems with the world its subject inhabited.Pub Date: March 27, 2018
ISBN: 978-0-8478-6145-3
Page Count: 256
Publisher: Rizzoli Ex Libris
Review Posted Online: Dec. 11, 2017
Kirkus Reviews Issue: Jan. 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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