Not since Peter Pan’s has a shadow commanded such well-deserved attention
In the middle of a city filled with Old World stuccoed walls and tiled roofs, a boy’s shadow yearns to break free.
“If life is a book, then Smoot the Shadow had been reading the same yawn-colored page for seven and a half years.” The light-skinned boy connected to the protagonist—clad in shorts, jacket, and baseball cap—leads a rigid, mostly black-and-white life; he colors inside the lines. Smoot (a blend of “smudge” and “soot”?) finally breaks free. As the shadow wordlessly, gleefully skips rope, rides a carousel, and climbs a tree, the boy is ever watchful from the margins. Inspired, other shadows follow their dreams: a frog’s shadow turns into a prince, and a dragonfly’s breathes fire. Imagining unintended consequences were this to continue, Smoot quickly finds satisfying, child-sized solutions for his restless counterparts and reunites with his boy, whose own spark has been ignited. Cuevas’ plotline radiates freshness and celebrates the rewards of risk-taking. Smith has a keen understanding of the power of the contrast between blackness and color. Employing ink and watercolor, he skillfully exploits this dynamic to both foreground the silhouetted characters and, in concert with decisions about when to use frames or full bleeds and controlled lines or looser strokes, to underscore the distinctions between a constricted and unfettered existence.
Not since Peter Pan’s has a shadow commanded such well-deserved attention . (Picture book. 4-7)Pub Date: Sept. 12, 2017
ISBN: 978-0-525-42969-2
Page Count: 48
Publisher: Dial Books
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A friendship tale with solid messaging and plenty of fun sounds to share.
In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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