An empowering introduction that demands parallel examination of Carrington’s own work.
Artist Leonora Carrington (1917-2011) bucks pressure and tradition to join the surrealist movement.
“Leonora’s parents wanted her to be like every other well-bred English girl. But she was not.” This white girl with Irish heritage doesn’t want to “become a lady.” As a child, she sketches make-believe planets; she’s expelled from boarding school after boarding school. In Italy, she sees Renaissance art in churches and galleries and forges ahead “to paint her own imagined worlds.” She joins the surrealists in London and then France, painting fantastical creatures and women who are not simply “pretty decorations.” When Nazi Germany invades France, Carrington escapes to Mexico (described, alas, as “exotic”), befriends artist Remedios Varo, and continues painting surrealist works about enchanted women, nature, mysticism, and the occult. Hall’s watercolor ink, gouache, and pencil-crayon illustrations feature mild surrealism, far less eerie than Carrington’s. Hall uses sinuous lines abundantly—doorways curve, tree trunks bend—and tints Carrington’s world with greens, golds, and oranges. A few full-bleed spreads are magnificent, including the flight from Nazi Europe, which combines a burning city and a winged creature-ship, and a depiction of Carrington’s late painting of a giantess, for which readers must turn the book sideways. A love affair with surrealist Max Ernst and an early marriage of convenience to escape Europe go unmentioned until the author’s note; Carrington’s mental illness isn’t mentioned anywhere.
An empowering introduction that demands parallel examination of Carrington’s own work. (illustrator’s note, bibliography) (Picture book/biography. 5-9)Pub Date: Jan. 22, 2019
ISBN: 978-0-06-244109-6
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A brief but sweet snapshot of an inspiring girl who finds hope in song.
Through the power of music, Lucimarian Tolliver is reminded of what’s important.
Lucy is one of the only children of African descent on her block—called Lucy Street—in 1930s Akron, Ohio, but all her neighbors share one commonality: poverty. Lucy’s carefree spirit is dampened when her family’s furniture is repossessed one day. She visits her grandfather, who comforts her by singing the folk standard “This Little Light of Mine.” Grandpa tells Lucy that she’s destined for greatness and that she should never stop singing, even through life’s toughest moments. Back at home, Lucy’s father scolds her for singing at the dinner table, so she quickly finishes eating and wanders outside and sings into the night. Her voice reaches her family and neighbors, who are all touched by her song. Digital illustrations evoke the time period in muted tones, featuring endearing characters with simple yet expressive features. The visual subject matter is repetitive from page to page, as are the incorporated lyrics of “This Little Light of Mine.” Based on Lucimarian Tolliver’s experiences growing up during the Depression, the text contains an epilogue but lacks backmatter detailing historical context or more information about Lucy’s life. Though the themes of optimism and the importance of family, faith, and music shine through the text, readers may be left with more questions than answers.
A brief but sweet snapshot of an inspiring girl who finds hope in song. (Picture-book biography. 5-7)Pub Date: May 20, 2025
ISBN: 9780063222540
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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