No surprises or reveals but plenty of warmth and encouragement, particularly for young people. A good holiday gift.
A heartening pep talk from the former first lady.
Obama's previous book, Becoming, was the bestselling book of 2018, translated into 24 languages and embraced around the world—not only because the author was already beloved and admired, but because the memoir shared the details of a unique, impressive life story. This follow-up is the kind of book that gets published because everyone wants more, whether or not there actually is any more to say. Inspired by roundtable discussions with young women and college students—and by questions asked on her arena book tour—Obama recapitulates and expands her guiding beliefs, giving us "a glimpse inside my personal toolbox…what I use professionally and personally to help me stay balanced and confident, what keeps me moving forward even during times of high anxiety and stress." We've heard before about the author's experiences as a Black woman at Princeton; the inspiring example of her father; the importance of friendship in her life; the early days of her relationship with her husband; and the decision to move her down-to-earth mother to the White House. She returns to those topics here, this time focusing less on storytelling than on crystallizing advice for those dealing with experiences of otherness, prejudice, "not-mattering" and loneliness (12% of Americans say they have no friends at all!). The author strongly believes our weaknesses can fuel our strengths, offering the example of inaugural poet Amanda Gorman’s overcoming her speech impediment. Toward the end of the book, Obama addresses the idea she's become most famous for "going high," first articulated at the 2016 Democratic National Convention. "But have you seen the world lately?" people ask her, after all the miseries and outrages of the last several years. "Are we stillsupposed to be going high?" Read the book to find out.
No surprises or reveals but plenty of warmth and encouragement, particularly for young people. A good holiday gift.Pub Date: Nov. 15, 2022
ISBN: 9780593237465
Page Count: 336
Publisher: Crown
Review Posted Online: Nov. 14, 2022
Kirkus Reviews Issue: Dec. 15, 2022
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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