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BAD ACTORS

From the Slough House series , Vol. 8

More proof that the enemies of the state are no more than a pretext for infighting to the death among the agencies.

The screw-ups, has-beens, and never-weres who’ve been shunted off to Slough House are upstaged by incompetent spies at far higher pay grades in this eighth series installment.

Swiss native Dr. Sophie de Greer, whom hard-charging bureaucrat Anthony Sparrow brought to the U.K. to work on Rethink#1, his think tank, may be a superforecaster at predicting trends, but one development she doesn’t seem to have anticipated is her own sudden disappearance. When ex–MI5 chief Oliver Nash, acting at Sparrow’s behest, asks his former colleague Claude Whelan to shake a few trees and see if she falls out, Whelan can see nothing but downsides—especially if, he frets, “someone triggered the Waterproof protocol” Whelan himself set up. If de Greer did come to grief, after all, the most obvious suspect is none other than Diana Taverner, who holds down the First Desk at MI5. Diana, for her part, is busy trying to figure out the agenda of her smirking Russian counterpart, Vassily Rasnokov, who’s popped up in London from behind a false identity that wouldn’t have fooled a child but fooled the spooks who were supposed to be following him. Although Diana takes time out for a meeting with her regular sparring partner, Slough House zookeeper Jackson Lamb, the problems here go far beyond Lamb’s slow horses, as she realizes when someone does trigger the Candlestub protocol, transforming her instantly from the head of MI5 into a woman on the run. Once again, Herron summons a witches’ brew of double talk, petty rivalries, and professional paranoia, this time less John le Carré than George V. Higgins, to demonstrate that any talk of the intelligence community outside Slough House is nothing but an oxymoron.

More proof that the enemies of the state are no more than a pretext for infighting to the death among the agencies.

Pub Date: May 10, 2022

ISBN: 978-1-641-29337-2

Page Count: 360

Publisher: Soho Crime

Review Posted Online: Jan. 25, 2022

Kirkus Reviews Issue: Feb. 15, 2022

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GONE BEFORE GOODBYE

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

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A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.

Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

Pub Date: Oct. 14, 2025

ISBN: 9781538774700

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Oct. 15, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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THE TIN MEN

Fast-moving and disturbingly plausible.

Robots may be the future of warfare in this final father-son DeMille collaboration.

In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.

Fast-moving and disturbingly plausible.

Pub Date: Oct. 28, 2025

ISBN: 9781501101878

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: July 19, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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