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SERGEANT REX

THE UNBREAKABLE BOND BETWEEN A MARINE AND HIS MILITARY WORKING DOG

A unique testimonial from today’s professional, highly specialized military, with a clear extra appeal to animal lovers.

Straightforward telling of an unusual wartime narrative: the reintroduction of the Marines’ Military Working Dog (MWD) teams to frontline combat for the first time since Vietnam.

With the assistance of Lewis (co-author: Forbidden Lessons in a Kabul Guesthouse, 2011, etc.), Dowling, who deployed to Iraq in 2004 with a German shepherd named Rex, notes that he and several others were “guinea pigs…we’re to learn how to take K9 units into the heart of war once again.” Upon arrival at the Marine base in the “Triangle of Death,” the author was dismayed to discover the dangerous, shifting nature of the Iraq war’s early years. Although commanders were initially bemused by the MWD teams, Dowling and Rex soon found themselves on combat patrols, where the author had to rely on the subtleties of Rex’s tracking abilities, but also protect him from gunfire and other hazards. Adding to the tension of the wartime narrative, Dowling breaks with chronology to look back at his working-class youth and the family issues that compelled him to excel in the military. He also examines the intricate training program for the dogs, underscoring the discipline involved in this arcane specialty and the bond between soldier and dog. While there are frequent moments of emotional button-pushing (including many imagined “observations” from Rex), Dowling’s approach offers a clear-headed view of the improvisational nature of combat in Iraq, and the brutal difficulties with which American military personnel contended. Fortunately, battle-hardened Marines quickly nicknamed the dog “Sexy Rexy” and adopted Dowling’s aggressive approach to the hazardous missions.

A unique testimonial from today’s professional, highly specialized military, with a clear extra appeal to animal lovers.

Pub Date: Dec. 13, 2011

ISBN: 978-1-4516-3596-6

Page Count: 304

Publisher: Atria

Review Posted Online: Nov. 5, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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