This is not another history from the Mexican or Mexican-American viewpoint, but a study of how the war with Mexico grew out of the spirit of Manifest Destiny and the conflict between anti-and pro-slavery forces. Using songs, political cartoons and extensive quotations from newspaper editorials and political speeches, Meltzer shows how Polk won the presidency by combining support for the claim to all of Oregon as far north as the 54th parallel, a. cause which was especially favored in the anti-slavery north, with southern support for the annexation of Texas. Polk then proceeded (as is detailed in Walton's Congress and American Foreign Policy, KR, 1972) to settle with the British over Oregon while going to war over Texas. Meltzer devotes some attention to the very fluid political situation in Mexico and to Santa Anna's overconfident strategy, but the primary sources principally reveal the American soldier's disillusionment with the violence, cruelty and bungling of this "most abominable war." In one especially interesting chapter, Meltzer reports on widespread desertion from the American army and on the formation of the San Patricio Battalion, composed of former soldiers (many of them Irish Catholic immigrants) who fought for the Mexican cause in a number of important battles. As always, the Living History format allows for both first-hand views of the much lauded giants of the period — particularly the Great Compromiser, Henry Clay, who compromised himself out of his chance for the White House — and of the average citizen, whether soldier, hopeful settler or abolitionist. And Meltzer draws together a number of critical issues — including slavery, expansionism and the Presidential conduct of foreign policy — which converge to make the Mexican War such an important period in the American past.
Pub Date: April 1, 1974
ISBN: 0394824407
Page Count: 296
Publisher: Knopf
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: April 1, 1974
A festive invitation to creative liberation.
A pleasingly tactile exploration of the possibilities inherent in mistakes.
"A torn piece of paper... / is just the beginning!" Spills, folded paper, drips of paint, smudges and smears—they "all can make magic appear." An increasingly complex series of scenarios celebrates random accidents, encouraging artistic experimentation rather than discouragement. The folded-over paper can be a penguin's head; a torn piece of newsprint can turn into a smiling dog with a little application of paint; a hot-chocolate stain can become a bog for a frog. Thanks to a telescoping pop-up, a hole is filled with nearly limitless possibilities. The interactive elements work beautifully with the photo-collaged "mistakes," never overwhelming the intent with showiness. Saltzberg's trademark cartoon animals provide a sweetly childlike counterpoint to the artful scribbles and smears of gloppy paint.
A festive invitation to creative liberation. (Pop-up. 4-12)Pub Date: Sept. 23, 2010
ISBN: 978-0-7611-5728-1
Page Count: 28
Publisher: Workman
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Dec. 1, 2010
A lovely encouragement to young writers to persist.
This follow-up to How To Read a Story (2005) shows a child going through the steps of creating a story, from choosing an idea through sharing with friends.
A young black child lies in a grassy field writing in a journal, working on “Step 1 / Search for an Idea— / a shiny one.” During a walk to the library, various ideas float in colorful thought bubbles, with exclamation points: “playing soccer! / dogs!” Inside the library, less-distinct ideas, expressed as shapes and pictures, with question marks, float about as the writer collects ideas to choose from. The young writer must then choose a setting, a main character, and a problem for that protagonist. Plotting, writing with detail, and revising are described in child-friendly terms and shown visually, in the form of lists and notes on faux pieces of paper. Finally, the writer sits in the same field, in a new season, sharing the story with friends. The illustrations feature the child’s writing and drawing as well as images of imagined events from the book in progress bursting off the page. The child’s main character is an adventurous mermaid who looks just like the child, complete with afro-puff pigtails, representing an affirming message about writing oneself into the world. The child’s family, depicted as black, moves in the background of the setting, which is also populated by a multiracial cast.
A lovely encouragement to young writers to persist. (Informational picture book. 6-10)Pub Date: July 7, 2020
ISBN: 978-1-4521-5666-8
Page Count: 36
Publisher: Chronicle Books
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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