by Minae Mizumura ; translated by Juliet Winters Carpenter ; Ann Sherif ‧ RELEASE DATE: Nov. 12, 2013
Whatever its inspirations, and whatever use it makes of them, Mizumura’s book is an elegant construction, fully creating and...
A smart, literate reimagining of Wuthering Heights, moved from the Yorkshire moors to seagirt Honshu, Japan, by way of Long Island.
The Heathcliff of the piece—less a tracing of Emily Brontë’s novel than an homage, for Mizumura brings plenty that is absolutely her own to this aching story—is an absolute outsider named Taro Azuma who appears in the novelist’s life (for Mizumura writes herself into the story, whence its title) as a supremely shadowy figure even as she herself is living in “three separate worlds,” somewhere between Japan and the United States, between childhood and adulthood. The trope of insider/outsider is important to Brontë’s original and no less so to Mizumura’s; Taro becomes phenomenally wealthy and successful, but he can never quite completely attain his Catherine. But then, no one in Mizumura’s fictional world seems content or absolutely at home; this is postwar Japan in a time of economic boom (“There used to be nothing but mulberry bushes,” says one character. “And now, all of a sudden, we have a huge elevated highway running through it”), but a pall of death and shame still hangs over the land. Mizumura’s novel within a novel, with its layerings of wealth, class and star-crossed love (“how could she possibly see someone like Taro except behind her parents’ back?”), has all the inevitability of its Georgian predecessor. Structurally, it’s as clever as Haruki Murakami’s 1Q84; and if it has echoes of classical Japanese literature (“A longing to visit Nagano again left him restless”), it owes as much in some ways to The Great Gatsby as it does to Brontë.
Whatever its inspirations, and whatever use it makes of them, Mizumura’s book is an elegant construction, fully creating and inhabiting its fictional—its truly fictional—world.Pub Date: Nov. 12, 2013
ISBN: 978-1-59051-203-6
Page Count: 876
Publisher: Other Press
Review Posted Online: Oct. 18, 2013
Kirkus Reviews Issue: Nov. 1, 2013
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by Minae Mizumura ; translated by Juliet Winters Carpenter
BOOK REVIEW
by Minae Mizumura ; translated by Juliet Winters Carpenter
BOOK REVIEW
by Minae Mizumura translated by Mari Yoshihara and Juliet Winters Carpenter
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Dec. 10, 2019
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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BOOK TO SCREEN
BOOK TO SCREEN
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