by Miranda Paul ; illustrated by Elizabeth Zunon ‧ RELEASE DATE: Feb. 1, 2015
Though Isatou Ceesay’s country may be unfamiliar to young readers, they’ve probably done some handicraft recycling of their...
Distressed by the problem of plastic-bag disposal, a Gambian woman organizes her neighbors to turn trash into treasure.
When Isatou Ceesay first discovered plastic bags in the Gambia in West Africa, in the 1980s, they seemed wonderfully useful and sturdy. But in her village, they soon became a nuisance, piling up in ugly dump areas where mosquitoes bred. Goats ate them and died. Her solution was to collect and clean used bags, cut them into strips and crochet the strips into useful plastic purses. These were sold at local markets and eventually internationally. Paul, who first went to the Gambia as a volunteer and has returned in other roles, tells this story in a straightforward fashion, deftly including words from the Wolof language and including details about Ceesay’s village life. A map, author’s note, glossary, timeline and excellent suggestions for further reading set this example of a woman who made a difference in a larger context. Fittingly, the collage illustrations make use of colorful papers and plastic bags. These reveal the labor involved and show the women’s joy in the results of their work.
Though Isatou Ceesay’s country may be unfamiliar to young readers, they’ve probably done some handicraft recycling of their own. The easy connection makes this a welcome addition to the small shelf of examples of ingenuity in developing nations. (Informational picture book. 5-8)Pub Date: Feb. 1, 2015
ISBN: 978-1-4677-1608-6
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Charlotte Guillain ; illustrated by Yuval Zommer ‧ RELEASE DATE: May 1, 2017
An unusual offering for the young geology nerd.
This British import is an imaginatively constructed sequence of images that show a white boy examining a city pavement, clearly in London, and the sights he would see if he were able to travel down to the Earth’s core and then back again to the surface.
The geologic layers are depicted in 10 vertical spreads that require a 90-degree turn to be read and include endpapers, which open out, concertina fashion, to show the interior of the Earth to its core. Beneath the urban setting are drains, pipes, and artifacts of urban infrastructure. Below that, archaeological relics are revealed. An Underground train speeds by, and below it, a stalactite-encrusted cave yawns. Deep below the Earth’s crust, magma, the Earth’s mantle, and the inner core are shown. Turn the page to start going up again, back through the mantle to the crust, where precious minerals are revealed, then fossils, tree roots, and animal burrows, ending with the same boy in the English countryside. The painted, stenciled, and collaged illustrations are full-bleed, and the tones graduate pleasantly from light colors at the surface of the Earth to rich pinks, yellows, and oranges as readers near the Earth’s core. The text is informative, if lacking in poetry, including such nuggets as “earthworms are expert recyclers, eating dead plants in the soil.”
An unusual offering for the young geology nerd. (Informational picture book. 5-8)Pub Date: May 1, 2017
ISBN: 978-1-68297-136-9
Page Count: 20
Publisher: Words & Pictures
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
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by Adam Guillain & Charlotte Guillain ; illustrated by Ali Pye
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by Charlotte Guillain ; illustrated by Chris Madden
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Peter H. Reynolds
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by Susan Verde ; illustrated by Juliana Perdomo
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