Although the book loses steam and heart toward the end, the earlier chapters, moving and rich in character and setting, make...
Perkins’ latest, inspired by the author’s own experience as the youngest of three sisters who arrived in the United States in the 1970s, is told in alternating voices across three generations.
This saga tells the intertwined stories of Ranee Das, the matriarch, who uproots her family from Ghana (and then the United Kingdom) to find fortune in the United States; Sonia and Tara, her daughters, who struggle with identity and acceptance; and Anna and Chantal, Ranee’s granddaughters, who fight injustices at home and in their communities. As in the author’s other books, this novel features inspiring South Asian girl and women protagonists grappling with love, faith, and culture, as well as the intersections among their personal, communal, and national histories. The chapters from Ranee’s point of view, highlighting her redemptive transformation from racist mother-in-law to doting grandmother to a half-black grandchild, and those told in Sonia’s and Tara’s voices, including their turns from awkward and aspiring immigrant teenagers to New York Times reporter and Bollywood star respectively, are lushly drawn and emotionally resonant. The final third of the book, however, from the points of view of Anna and Chantal, is less so; its plotlines—Anna’s quest to redecorate her elite private school’s locker rooms and Chantal’s wrecking of her rich, white boyfriend’s Porsche—seem contrived and hastily written. While “issues” permeate the book (war, migration, racism, colorism, body positivity, environmentalism), they are more deftly woven into the narrative in the earlier, historical chapters than the later, contemporary ones.
Although the book loses steam and heart toward the end, the earlier chapters, moving and rich in character and setting, make up for it . (Historical fiction/fiction. 12-18)Pub Date: Sept. 12, 2017
ISBN: 978-0-374-30490-4
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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