by Mo O'Hara ; illustrated by Andrew Joyner ‧ RELEASE DATE: Dec. 18, 2018
Not too shabby for a first taste of the Bard.
Shakespeare’s classic tragedy gets a comic retelling and a happy ending.
“Once upon a time, one hundred and fifty million years ago….” Romeosaurus’ family (a mix of dino species) are herbivores, while Juliet Rex’s (T. Rexes and a pterodactyl nurse) delight in eating meat. The two meet at a masked ball, quickly becoming friends, though the herbivores must make a quick escape after Romeo helps Auntie Gladys off the buffet table, where she’s been trussed, with an apple in her mouth, and Mercutio-tops accidentally pokes Tybalt Rex with his horns. The balcony scene leads to a cementing of Romeo and Juliet’s friendship, and the two leave notes for their loved ones and run off to the tar pits. Knowing what danger that poses, Nurse-a-Dactyl and Mercutio-tops fly to the rescue (“We should have let them be friends!”), and the foursome agree that carnivores and herbivores can be friends (not meals). But this happily-ever-after is marred by a looming final-page meteorite. Indeed, O’Hara sprinkles humorous references throughout that will fly over kids’ heads, though parents will be in stitches: “Juliet Rex was waving her tiny arms in the air like she just didn’t care….” Joyner’s digital illustrations are a hoot. The dinos are dressed in Elizabethan finery (dino color and clothing color separating carnivores and herbivores, in addition to the former’s pointy teeth), and their expressions are sure to evince giggles, most being over-the-top.
Not too shabby for a first taste of the Bard. (Picture book. 4-8)Pub Date: Dec. 18, 2018
ISBN: 978-0-06-265274-4
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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